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Jack Rentfro: Art carnival: review of the "Big Show"

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A traveling circus of an art show came to town Friday night and if you weren’t one of the 500-plus folks to witness this bedlam of artistry ranging from graphics to industrial, mechanical to musical, you should get another chance when the Big Art Show returns this fall.

Hosted at Ironwood Studios, Preston Farabow’s new, hangar-like digs off North Central Avenue in what used to be an auto body shop, the Big Art Show is a touring collective of artists and musicians who recruit local sculptors, painters, photographers and bands at each of their stops.

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With hundreds of paintings, photographs, apparel, home furnishings, sculptures and novelties arrayed along aisles set up throughout Ironwood’s gritty interior, and with one band after another coming on, and too many conversations to keep up with, a person wandering through the carnival of creativity might have come across Mary Nietling’s homemade religious icons. Since one of the votive figures featured eccentric Mexican painter Frida Kahlo, the orientation of the Knoxville teacher’s work is decidedly ecumenical and light-hearted. “I'm a Catholic girl,” said Nietling, “I spent a good bit of time in Mexico, and I'm interested in the value of myths and believing in something; a hope against hope, wish for the best kind of thing.”

Around the corner, Glen Glover was selling clocks built into an assortment of unlikely objects: a colander, a photograph of President Bush and Vice-President Cheney (slugged: “Time’s Up!”) and even a Ray Charles album. Denise Sanabria was giving away some nutty Jack Chick-parody evangelical pamphlets inspired by some genuine zealots who infested the Old City a few years back.

And then there was Advance Metal Fabrication’s “gong,” a five-foot tall trapezoid of textured, stainless steel that resonates with a kind of musical scale as it heats up. The metal box, created by Knoxville native and veteran metal artist John Ryan, is hermetically welded all around its seams—there is no sound hole.

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There seemed to be evidence of an Iron Age coming to Knoxville, fittingly since the Big Art Show was hosted at Knoxville’s premier artistic blacksmithy. In addition to Farabow and Ryan, Rodney Cash, perhaps best known as a drummer around town, also had welded art on display, as did Halls native Mike Ensor (International Ironworks) and Morgan and Pat Fitch (Weld and Crazy). Incidentally, Cash was on stage, drumming behind Chick Graning, as well as exhibiting his own custom forged, metal fabrications, making him possibly the only artist working the show in two entirely different media.

Of the group of seven touring artists, Sarah Maier, representing clothing makers Fort Cloudy of Baltimore, Maryland, put it most flatteringly after the show: “Everyone on the tour has decided that Knoxville was our best show so far. The folks in Knoxville that organized it did a really wonderful job.”

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Speaking of organizers—that would be Amanda Starnes. If her boyfriend, Samuel Williams, weren’t friends with Mossy Rock, one of the Big Art Show’s traveling bands, the show might never have come to Knoxville. A member of Mossy Rock casually mentioned to Williams that they were thinking about adding Knoxville to the Big Art Show itinerary. Mossy Rock turned their end of the conversation over to Big Art Show creator Paul Yavarone Jr., and Williams put his girlfriend, the fledgling promoter, on the line.

“Paul pretty much left it up to me to do as much as I wanted. So, I ran with it,” Starnes said. The next big step was finding a venue big enough to hold such a sprawling event indoors. “I left a press kit on Preston Farabow's desk one day. He was pretty into it. When he asked where it was going to be, I just said, ‘how about your new place?’

Starnes then flogged local media and community organizations and worked the internet, plastered flyers everywhere and talked to everyone she knew, especially her many contacts from stage and lighting work. New Knoxville Brewing Company stepped up with a generous price on beer and Sound Ventures donated sound. Volunteers came aboard to handle the background jobs: administrative stuff, sound board, lights and bartending.

“There were already two touring bands coming with the show, but we still wanted three more local groups,” Starnes explained. “I approached Phil Pollard and His Band of Humans, Chick Graning of The Skinwalkers, and Samuel’s group, What Have We Become (a spoken word/musical ensemble featuring the sibling renaissance team of Larry and Kari Hoffman) to fill those spaces.”

The Big Art Show was Starnes’ first big event. Even though it was a pro bono gig, she sees it as a great start-up for her production company, Dirty Sangria. “This town has been screaming for events like this for some time now and the prospect of being able to make this happen was by far worth more than any paycheck could provide.

“For years now I have come to know some amazing people in this town and the circles that intertwine them. I've always wanted to put those different circles in one room and stand back and just watch what happens.”

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Yavarone’s web site states that the Big Art Show is all about exhibiting “unknown and independent” artists in a setting “unspoiled by money and politics.” He also describes art shows “morphing into a location.” Such a space could hardly be imaginable in Knoxville without a gigantic, utilitarian room. Like a garage. Like Ironwood Studios—new home to Farabow’s Aespyre with its long-running tradition of making the iron industry a festive one, now partnered with McGilvray Woodworking.

Cindy Farabow said events like hosting the Big Art Show and the First Friday celebrations are giving Knoxville a rising profile. A Nashville gallery owner told her “the artists here are all talking about the cool scene stirring in Knoxville!’”

Farabow said Ironwood, on Jennings Street across North Central Avenue from the Corner Lounge, continues to undergo renovation to suit their needs. “Our vision is that this little area will develop as sort of an alternative downtown with galleries, music, bistros, unique shops, all within walking distance of the historic neighborhoods.
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(photo credit: Libby Morgan)

Comments

It was indeed a fabulous scene, one I hope will be repeated soon. I did my "part for art" by buying some great pieces for my house, met some very interesting people. Everyone seemed to be having a great time.

Thanks to all the great people who showed up to support us, it was a huge success and more fun than I've had in a long time.Looking forward to the next one...
Amanda

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