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March 2007

March 30, 2007

The Roundup for March 30th

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Welcome to The Roundup, our weekly podcast that keeps you "uptuh date" on everything in 520 land. Brush up on your local music, listen to the podcast, and you might just win yourself a prize. Or a malfunctioning rooster. You decide.


The latest episode is now up! In this week's edition: Jescoe, sensitive poetry, The School of 520, Guess That Local Tune, Todd Steed, Sundown in the City, and much more!


Listen to it here.

Or use this RSS feed to subscribe via iTunes.

Or listen to it at our myspace site.


Yeehaw, K-Town.

March 29, 2007

Tiptoe through the tulips (and trees and trails)

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I've always said that I never truly experienced Spring until I moved to Knoxville.


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Growing up in Central Minnesota, springtime was always a messy affair. Here's how it goes: As the temperature eeks above freezing, the 2-3" permafrost melts from the roads, revealing a winter's worth of anti-slip salt and gravel. This layer of grit is soon joined by the slowly dissapating snowbanks to create a sloppy, slushy mixture that sticks to your car, shoes and pantlegs. The once-sparkling snowdrifts turn a dingy grey. In fact, everything you see is covered in a salty film. I used to count the days 'til summer officially arrived. Indeed, I had not experienced the mellow and colorful spring of East Tennessee. Once here, I began to understand.


The whole of Knoxville practically sings on the sunny, breezy days between April and June, and this year is no exception. With days in the 70s and nights in the 50s, I'm sure I'm not the only one who's already cleaned off the deck, made a trip to Stanley's and gotten my hands dirty in the garden. My neighbor, John, saw the spring-feverish look on my face as I was on my way to the greenhouse for the second time and cautioned me against going "whole hog on the planting just yet".

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As a new and (extremely) amateur gardener, I have to take cues from the pros - and John's definitely got a green thumb. He suggested I look at what's already coming up and blooming to know what to plant. Now, there are oodles of fantastic spots in the area to get your wheels turning about gardening, but I decided to head over to my new favorite place: the UT Gardens.


Situated on the bend in Neyland Drive near the Vet School, the UT Gardens have all sorts of seasonal displays of native plants, trees and flowers. They've also got a creekside trail that's perfect for walking your dog. Here I figured I'd see what was blooming and follow suit in my own yard.

I am embarrassed to say that in the 9+ years that I've lived in Knoxville, I have only recently discovered the Gardens. In my own defense, I live mere blocks from Ijams Nature Center, so that is where my dog, Maxine, and I usually wander. For a change of pace, I loaded the hound into the station wagon and headed toward Campus.

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I guess it's because of the unseasonably warmer temperatures, the UT Gardens are alive with color at what seems to be an earlier time than normal. (Al Gore was right.) As Maxine and I pulled into the front entrance, we were greeted with boughs of vibrant pinks, striking greens and flashing yellows. It was a sight to behold! I felt like I was in the middle of a 64 pack of Crayolas!


It was a picture perfect day and the steady stream of cars entering the park area was proof of a kinder season's arrival. The Gardens were full of families, kids, dogs and even a couple getting engaged in front of a flower-bed. (Is it significant that Maxine later relieved herself in front of the same flowerbed?)

As we meandered through the UT Gardens and then onto the walking trail, I gathered inspiration for my little South Knoxville home gardening projects. Maxine was only inspired by the cats who serve as pest control in the Gardens.
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Here are some of the greatest places to find your own inspiration this spring...
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*There's the Garden Heritage Festival taking place this Saturday at Krutch Park and E. Tn. Historical Society.


*How 'bout the historic Knoxville Botanical Garden & Arboretum in E. Knoxville

*Then the historic Ivan Racheff House & Gardens

*There's always the pretty gardens behind and next door to Blount Mansion

*Don't miss the beautiful and peaceful best kept secret garden and labyrinth at St. John's Cathedral downtown

*The First Presbyterian Church's historic land and cemetery downtown behind TN Theatre. (The cemetary has a champion Hackberry and beautiful flowering shubs.)

*Historic Old Gray Cemetery is pretty this time of year & they are having Hunt for History on April 15

and finally...

*The unique and proactive Beardsley Farm off of Western Ave., making land and tools available to the general public

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Special thanks to Debra Dylan for the added research!

Daylily man

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A memoir of springtime in Exurbia

I think about this every spring when some stubbornly remaining daylilies come up in my neighbor’s yard.

My young neighbor, Owen, didn’t plant the daylilies. In fact, he is rooting them out clump by clump as if they were a nuisance.

Mister Brock planted them long before Owen bought Brock’s trailer. The flowers with their bright stellae of yellows, reds, purples, oranges and mutant combinations, are rowed like the stripes on a rainbow flag spread out on a postage stamp yard where Mister Brock had tried to nurture some transient beauty. Hundreds of individual specimens of hemerocallis, budding out overnight so productively that if you didn’t know any better, you’d think they were the same blossoms, instead of new ones every day. But in his spare time, Owen, a hardheaded, pragmatic head of a new family, digs them out and tosses the tuberous rootstock into the brambles.

Out here in the exurbs—what used to be “the country” but which is now the semi-rural dependency surrounding a metropolitan area—you always wave and holler at people. Even if you don’t know them. Which you don’t, mostly.

Over the years, we've gradually gotten to know some of our neighbors’ names. But I think we just prefer calling them “Miz Brown Dog,” “the Double-Wides,” “Cell Phone Guy,” “Weed-Eater Man” and “Golf Playing Farmer.” And then there are families signified by where they live, such as, “the Murder House.” Or “the House Where They Burned That Cross Last Year.” These and the households indicated by the “Trampoline on a Hillside” and “Half-court Basketball in the Middle of the Road” say something about us and our occasionally enlightened bleatings.

Owen I met rather quickly when he moved in with his brood. He had the audacity to open my gate, come down my driveway and make me have a get-acquainted beer with him. We’re comfortable enough with our neighbor Miz Clabough for her to come around taking up money every time somebody's dead or dying. “For flowers,” always: “It’d be a shame for someone to be laid out without enough flowers!” she’d say.

That Easter weekend, Miz Clabough brought us some spare cherry pie from the Kay wake. The crust was all on the bottom, about a half-inch of sugar, butter and flour. Never seen an open-faced cherry pie. I didn’t get to eat it until much later that day. Man, it was good.

So Miz Kay, contemporary and next-door neighbor to Miz Clabough, had died. That’s what all the uproar with the emergency vehicles was about down the road. Miz Kay was the ailing matriarch of the clan whose assorted habitations, barns and sheds spread like a smoke plume up the ridgeside from the old lady’s red shingled house by the road.

I told you about Miz Clabough. She’s the one we asked to come read that healing passage from the Bible when it wouldn't work for me, back when our dog was dying from that godawful bleeding from the nose. These particular verses are supposed to stop bleeding. I tried it myself but I guess you have to believe it or something. But I loved that dog and would have turned cartwheels for my sweet elephant-faced lord Ganesh if it would of helped old Blackie. Or just stopped the bleeding. It was like a murder scene every time that dog sneezed.

The day Miz Clabough dropped by, I needed to haul off some junk. On the way to the dump, I decided to do a little extra picking up along my road frontage. To do this, I needed to park close by. Therefore, I needed to borrow Mister Brock's driveway for a few minutes. Mister Brock was a nice, quiet man who brought a little charm to the rough-hewn Geehaw Valley community by turning his tiny yard into a flowerbed. That’s why he was “Daylily Man” until we learned his name.

Mister Brock’s trailer was directly across Geehaw road from the Kay clan’s ancestral acre. So, that day, after Miz Clabough had left and I was on my town run, I pulled into his driveway. I took some notice of the large gathering in the Kay yard—it was filled with a used car lot’s worth of vehicles and several generations of kin milling around the driveway and porch—and knocked on Mister Brock’s screen door. I had left my motor running as an indicator that this wasn’t intended to be a social visit.

As I should know from my own rural orientation and lifelong empathy with old country folk, there is no such thing as a quick conversation out here. I understand the compulsion to recite the minutiae of weather, tomatoes and whatever bugs are biting. The potholes in the roads. The curious governance of it all—that’s the matrix in which we all exist. Beats me where I ever got the idea I was in a hurry that day.

Within seconds of cautiously peering out and recognizing me, Mister Brock had me inspecting the other source of joy in his life besides flowers: the chicken coops he had improvised out of wire and packing crates for his flock of little, roadrunner-like bantam chickens. For nests, he had filled milk delivery crates with straw. As hinted at, I didn’t have time for any of this. But, you just have to take the tour the first time you visit. And I had a soft spot for “banties,” as my father called them when I was a kid. “You can see where them polecats is gittin' under the wire,” he said, scuffing with his boot at the obvious burrowing marks.

Then, as I was trying to edge back around to the front of his trailer to get my gloves and a trash bag from the still-running truck, I brought up the Kay matter. Disingenuously, at that: “Do you know anything about that ambulance that pulled up the other day across the road?” I guess I just wanted his take. Downshifting his voice to a guilty whisper, Mister Brock said they had come for old Miz Kay.

I did not expect what came next: “I’m afraid I might be responsible.”

He told me about a trap he had set for the skunks preying on his chickens. How he took a veterinary syringe and withdrew about half the fluid from an egg and replaced it with antifreeze and then planted the egg back into the coop being targeted by the skunk.

Mister Brock said he heard a commotion that night—a couple of nights back, at this point, prior to the ambulance being called. The tricked egg had mortally stricken the varmint robbing the banty nests of their little brown eggs. By the time he got out the door to check it out, the poisoned skunk had dashed across the road and gone to ground at the nearest safe place. That being the crawlspace under Miz Kay’s house. By daybreak, the skunk was dying of renal failure, which is what kills animals that mistake the sweet taste of ethylene glycol for food. This terminal distress apparently caused the critter to spew out all its abominations, making the Kay homestead uninhabitable. Literally, since, at least in Mister Brock’s worried mind, the unbearable stench had triggered a fatal relapse of Miz Kay’s heart problem.

Mister Brock was at wit’s end fearing he would be linked to the tragedy. Out here, that kind of thing requires retribution, and there were lots of big, surly Kay menfolk just across the road who looked capable of appreciating that part of the chivalric code.

And soon enough, Mister Brock would be among them, nibbling potato salad and a fried chicken leg, cold bullets of sweat flinging off his forehead, telltale heart pounding louder by the minute.

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My very nervous neighbor was so proud of this devious stratagem that he described the technique all over again. “Now, I didn't take all the egg,” he told me like I should start taking notes. “I just took half of it, then replaced that with antifreeze.” As he knew we were dog people, Mister Brock was also anxious to let me know that no dogs were endangered. He pantomimed with his hands how he tucked the tainted egg safely out of reach of dogs, perched in a straw nest on the far side of the ramshackle coop’s framed chicken wire. “That way, no dog'll git it,” he said, as if an eggsucking dog had ever been turned away by chicken wire.

For Mister Brock, the triumph over the skunk was the only relief to be had from any of this. So he gleefully related again how he had surprised the skunk supping on the toxic bait in the middle of the night, and chased the rascal across the road into the glare of the security light atop the Kay’s utility pole. A little voice had told him to hang back from the chase, staying out of the circular spread of bluish mercury vapor light that guards so many of the compounds along our valley. So he just watched from the corner of his trailer in the dark as the doomed skunk scampered up the washboarded Kay driveway and slipped through a crack in the fieldstone foundation of the family homestead.

We re-enacted the path of the dying animal like a couple of bumpkin forensic scientists. Thankfully, that put us back out front by my truck, poised at last to finish my chore and leave. But, not before hearing again how the old boss skunk had sure enough sheltered under the old lady's house and, dying, evacuated all its fluids. How Mister Brock watched as the family was forced out into the yard that morning; how they yelled at him to call 911 because they couldn’t get to the phone because of the smell.

My old bachelor neighbor cringed at the thought of responsibility for what happened. I was amazed at how much of this drama I had missed, listening and watching from a couple of hundred yards away, unable to tell much at all from the flashing lights and sirens.

I had heard the Rural Metro ambulance making its long, slow approach that morning. Took it half an hour to cover the distance from the highway, it seemed, considering the way sound bounces around in our valley. It's an education in the topography of this part of the world, trying to guess the origin of machine and animal sounds. The ambulance had sped up and braked, sped up and braked, curve by curve, all the way to where our narrow, winding, little county road rolls by the foot of Kay Hill. Seems they always send a fire truck, too, no matter what the call. The canary yellow truck had idled behind the ambulance, radio buzzing with static, motor rumbling heavily in the moist air of the spring-ripening valley.

Mister Brock and I bullshitted a little more out there among his daylilies, the littlest observations of the usual things managing somehow to turn into lengthy dialogues. “By the way, where’s all that gunfire coming from?” I complained, hoping my neighbor’s position in the holler could help pinpoint that location of the every-other-afternoon-or-so shooting activity. Sounded to me like there was an M-60 light machine gun nearby. Something that whipped the air like a sheriff’s department chopper when they come around every year wasting taxpayer money and annoying everyone. Whatever it was, it didn’t impress my neighbor that much. Maybe because some days, there’s enough gunfire around here for a low-intensity border conflict. Which doesn’t seem to interest lawmen at all.

My truck motor was running the whole time, hillbilly notice that I hadn’t planned to be there much longer than it took to get permission to use his driveway. Like most hillbilly conventions, it didn’t work very well. And you know how it is—folks have to catch up on community business and local politics and the weather. And besides, Mister Brock and I had never had a real talk. Never had really said much more than yell “Hey!” as I drove by.

At the tail end of the day, after Miz Clabough had left, after I had called on Mister Brock, and after I came back from the closed dump with the same truckload of trash I left with, I needed that pie. I wolfed it down, scanning the paper for Miz Kay’s obituary. There it was—a long one, ripe with Christian nursery rhymes and references to resurrection. Easter weekend made that especially poignant to the survivors whose begattings, as well as those gone before, were arrayed rank upon rank in the death notice. And, look: Old-ladykiller Brock’s going to be an honorary pallbearer.

Not long afterwards, Mister Brock, whom we always suspected of being in witness protection or on the lam for some reason, was further unnerved by a concatenation of subsequent incidents typical of life out here. Or anywhere, for that matter. He sold his trailer to a colored man who also soon departed for whereabouts unknown. The current neighbor, the one who is gradually rooting out the remaining daylilies, eyes me suspiciously ever since I recommended leaving the flowers in place. “You can eat’em, too, you know,” I assured Owen, as if that would convince him of their value.

Owen hee-hawed in my face at the prospect of him and his tubby little wife and toddler out there in the yard on all fours grazing on the tutti-frutti colored forage.

After the at-home funeral service at the Kays’ place, I saw a hearse one other time out here in Geehaw Valley. It was that one time Godfather’s Pizza, unaware Geehaw Valley was far beyond their profitability zone, dispatched their big canary-yellow Cadillac promotional hearse/delivery wagon out here. It was followed by a convoy of rubberneckers wanting to know who’d died. Miz Clabough came hobbling over shortly afterwards, taking up money for flowers.

Sundown in the City

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Every city has a large, outdoor, summer concert festival. If they don’t, they should. But fortunately for us, Knoxville is home of Sundown in the City.

If you aren’t familiar, Sundown takes place on Thursday evenings in Market Square starting in mid-April (April 12th, this year) and runs 12 weeks, through the last week of June. Just like all other decent outdoor music festivals, Sundown features cold beer, food vendors (including sushi from Nama this year) and merchandise. The best part—admission is free!

The second best part is that the festival is surrounded by a number of Knoxville’s greatest bars (namely Preservation Pub and World Grotto), so it’s incredibly convenient to pre-game for the event and there’s no question as to where to hold the after party. You can make a day of it.

Check out this year’s lineup. I expect to see you all at the Gin Blossoms on May 17th:

April 12 — Edwin McCain with Antibalas and Low Stars * special 6:15 start time! *

Edwin McCain brings his soulful folk-rock to Market Square this spring for his second Sundown in the City appearance. McCain and his permanent backing band have been touring together since his debut in 1993. McCain became a star with Misguided Roses in 1997. The album's mega-hit love song, "I'll Be," has become a calling card for the Southern troubadour; the single won the distinction of "Best Wedding Song" on The Dr. Phil Show in 2005 after being chosen by more than 1 million viewers. McCain's upcoming album, his first on Vanguard Records, is anticipated this spring. Antibalas is a gritty Afro-beat group from Brooklyn making a name for itself with a horn-driven mix of Latin, jazz, funk and soul. The group represents its name, Spanish for "bulletproof," with hard-line political messages, an aggressively independent sound and a strong touring schedule that has included music festivals at home and abroad such as Bonnaroo, Bumbershoot, Glastonbury and Coachella and tours through Japan and much of Europe. Antibalas has collaborated with TV on the Radio, Medeski, Martin and Wood, and Baaba Maal. Low Stars is a folky foursome being hailed as the modern incarnation of Crosby, Stills, Nash and Young. Their self-titled debut CD was produced by George Drakoulis (Tom Petty, The Black Crowes) and is available at Starbucks locations.


April 19 — George Thorogood with The American Plague

George Thorogood rejuvenated the blues in the early '80s with smash hits "Move it On Over" and "Bad to the Bone." His rocked-up renditions of classic blues make it into countless commercials and film soundtracks, but the self-deprecating Thorogood still describes his outfit as "The World's Greatest Bar Band." Expect old classics from Thorogood and the Destroyers as well as songs from the band's newest release, The Hard Stuff, when they smoke the Sundown crowd with good old American rock 'n' roll. Local rock heroes The American Plague kick off the night with a healthy dose of homegrown power rock.

April 26 — Scott Miller & The Commonwealth with Anne McCue

One of Knoxville's favorite almost-native sons, Scott Miller returns to the Market Square stage to reprise his raucous live show with his band The Commonwealth. His latest disc is Reconstruction, a live amalgamation of classics from his three Sugar Hill Records recorded at the Down Home in Johnson City. Anne McCue is an Australian-born singer-songwriter in the rock, folk and country traditions. She's toured with Lucinda Williams, played Lilith Fair and just released her fourth record, Koala Motel.

May 3 — The Wailers with Brett Dennen

Simply put, The Wailers are living legends of reggae. The former backing band for international icon Bob Marley has sold over 250 million records, and its members have collaborated with crossover superstars like Eric Clapton, Stevie Wonder and Santana. In 1999, Time magazine named The Wailers' classic release, Exodus, Album of the Century. The group is touring for the first time in over a decade with its full original lineup, including the famous horn section that's sure to help you "Lively Up Yourself." Brett Dennen is quickly becoming a songwriter's songwriter. Not yet at the apex of mainstream popularity, the bright-eyed Californian has already found himself standing under a shower of accolades from top-tier performers like John Mayer and Michael Franti. His distinctive charcoal voice, bouncy guitar hooks and well-placed lyrics on the 2006 Dualtone release So Much More give the impression that the twenty-something Dennen is wise beyond his years.

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May 10 — Brazilian Girls with Christabel and the Jons

They're bringing sexy back to Market Square! After a smokin' performance here in 2005, spicy New York City quartet Brazilian Girls bring back the party with their frenetic dub and electronica. Vocalist Sabina Sciubba grew up in Rome, Munich and Nice. As a result, she's fluent in five languages—all of which she employed on the band's self-titled 2005 debut. The band's sexy irreverence and mixture of styles ranging from salsa to reggae has made it a live favorite. Before spots at both Coachella and Bonnaroo, Brazilian Girls rock Sundown's crowds with horns, synthesizers and a healthy dose of va-va-voom from their new release Talk to La Bomb. Christabel and the Jons loosen up audience members with sultry old-time jazz as heard on their debut CD, Love and Circumstances.

May 17 — Gin Blossoms with Vertigo

One of the most beloved alternative rock bands of the 1990s, Gin Blossoms won over fans with hits like "Hey Jealousy," "Til I Hear It From You" and "Follow You Down." Their first stint the studio in 10 years resulted in the 2006 CD, Major Lodge Victory. Local alternative collective Vertigo opens the show with a thunderstorm of spaced-out rock that, according to their bio, "pushes the line between fragility and aggression."

May 24 — Corey Smith with Jennifer Niceley

Social studies teacher turned country rocker Corey Smith has built a remarkable grassroots fanbase through live performances highlighted by gritty, tongue-in-cheek sing-alongs and his unique rapport with even the rowdiest bar crowds. He funded his first project, Undertones, by winning an open-mic songwriting competition at Cheetah Marie's Café in Monroe, Georgia. If you haven't heard of Smith, you soon will: he's one of MySpace and iTunes' highest selling unsigned artists. Jennifer Niceley grew up not too far away from Knoxville in the mountain foothills and farmland of East Tennessee. Now based in Nashville, her sweet and haunting voice accompanies a dark and rootsy sound.

May 31 — Ozomatli with Toubab Krewe

The members of Ozomatli met through its members' affiliation with the Peace and Justice Center of Lost Angeles in the mid-nineties. The group's collective progressivism has driven it since then—in its involvement with multiple anti-war and social justice groups and in its music, a Spanish/English mash-up of hip-hop, salsa, cumbia, dub and Middle Eastern funk. Ozomatli has opened for artists as diverse as Carlos Santana and Rage Against the Machine and hit festival destinations like South by Southwest and Coachella. The band's 2005 release, Street Signs, won a Grammy for Best Latin Rock/Alternative Album, and the band is currently touring in support of its fourth full-length, Don't Mess with the Dragon. Asheville-based Toubab Krewe comes by its Afro-beat sounds honestly; members studied in West Africa for extended periods of time, immersing themselves in the culture and playing with local masters. The band is quickly becoming a festival favorite, having played Bonnaroo and South by Southwest as well as Langerado.


June 7 — The Avett Bros. with Mad Tea Party

The Avett Brothers mix punk, ragtime and honky-tonk in a blender and turn the knob to "puree," making for one spicy musical smoothie. The trio's live shows are completely unhinged adventures in rowdy old-time string music. Mad Tea Party is an Asheville folk trio with witty lyrics and a big sound, one that proudly showcases the group's R&B, blues, rockabilly, ragtime and circus influences. Its music has been lauded on NPR and shared with crowds at New York City's famous CBGB's.

June 14 — John Butler Trio with Artvandalay

John Butler Trio is the band led by the charismatic Australian whose philanthropic aims almost match his list of musical accomplishments. Shortly after Butler cracked into the American scene with his 2003 release, Sunrise Over Sea, he created the JB Seed, a charity that hooks fledgling Australian musicians up with legal and copyright advice, workshops and networking opportunities with industry professionals. Butler's soulful, honest vocals and expressive guitar work are in full effect on his new release, Grand National. JBT hits the Sundown stage on its way to Bonnaroo. Artvandalay, one of Knoxville's favorite local groove machines, opens the show. Formed in 2003, the group specializes in progressive jams, atmospheric tinkering, and all-out guitar thunderstorms.

June 21 — Drive-By Truckers with Dixie Dirt

Drive-By Truckers' seventh album, A Blessing and a Curse, finds the Southern rock historians delving deeper into themselves, dealing with some uber-heavy subject matter like suicide, heartbreak and the loss of loved ones, and reigning in their sound in favor of tight instrumentation and well-placed vocals. Songs like "Gravity's Gone" and "Aftermath USA" show that the group isn't done having fun. Dixie Dirt rowdies up the crowd with their indie-rock Americana that sounds simultaneously familiar and brand new.

June 28 — Tony Joe White and Dave Barnes

Tony Joe White still cranks out the swamp blues, more than 30 years after his first big hits, "Polk Salad Annie" in 1969 and the Brooks Benton-recorded "Rainy Night in Georgia" in 1970. He's toured with a who's who of the greater rock 'n' roll community, including Credence Clearwater Revival, Eric Clapton and James Taylor, and he's written songs recorded by Tina Turner, Elvis, Ray Charles and Waylon Jennings among others. White's most recent release, Uncovered, finds him collaborating with Mark Knopfler, Michael MacDonald and Eric Clapton and unleashing his signature sound most potently on a definitive recording of "Rainy Night in Georgia." Dave Barnes is a South Carolinian preacher's son and former percussionist who began writing songs and playing shows during his college days at Middle Tennessee. His 2004 debut release, Brother, Bring the Sun, earned props from Vince Gill and John Mayer and got him a gig recording with Amy Grant. Barnes brings tunes from that and his second studio album, Chasing Mississippi, to the final Sundown show of 2007.

March 26, 2007

Yarrmen.

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Welcome to the canoodling 520 blog, The Monday After. This is our attempt to blast through our Monday morning hangovers and offer up some quickie reviews of all the things we’re pretty sure we got into this past week, including gigs, concerts, movies, plays, and restaurants. Pop a couple of ibuprofens and enjoy.

Here at The School of 520, things are pretty sweet for our intern students. On the first day of class, for example, we teach them the ABC's of Rocking Out ("W is for With Your **** Out"). There is hardly ever any homework, except for mandatory band watching and bar sampling, and the only "tests" are tests of will power: being able to get up after a night out and crank out an article. Imagine our dismay, then, when things suddenly took a turn for the serious here at The School of 520. I mean, we never thought we'd have to deal with this very sensitive, very important issue, but then Phil's mom called and complained. Thanks a lot, Phil's mom.

Will we go on teaching our nubile and impressionable interns that the Knoxville music scene has been evolving for generations, where the less evolved bands all eventually peter out into extinction (Sensitive Artsy Guys, anyone?), and the scrappy, hard-working, more awesome bands live on to produce more music (or actually get signed and move away), thusly leaving us in the pretty frickin' awesome situation we're in today (where we have a great local music scene and the connections to bring in even greater national artists)? OR will we introduce an alternative theory into our intern curriculum, one that teaches them that it is an Almighty Creator who has intelligently designed the current state of Knoxville music, and that we owe all of Knoxville's nightlife fortune to the A.C. and His Entertainment?

Remarkably, and by complete coincidence, a similar discussion happened at the Knoxville Convention Center yesterday. Members of the Discovery Institute, a group devoted to non-stop how'd-we-get-here research, dropped by our fair city to host "Darwin vs. Design," a balanced conference on the evolution vs. intelligent design controversy. The rigorous debate featured three speakers who supported intelligent design, as well as zero speakers who supported evolution. Details from the Convention Center event are still sketchy, so at press time it is unclear whether it was Design or Darwin who emerged from the Knoxville ring victorious.

As for 520? Sorry, Phil's mom. We're not gonna touch this issue with a ten-foot noodly appendage. Instead, we're gonna get back to what we do best.





A is for And now for our weekly rankings!


This week's key:

1FSM.jpg = Dismal.
2FSMs.jpg = Beats having diarrhea. Barely.
3FSMs.jpg = Meh.
4FSMs.jpg = Highly Recommended.
5FSMs.jpg = Super Awesome.





Ohio State (1FSM.jpg)


Dammit. The Lady Vols are still alive, at any rate. (1/5) -J.B.




Sunday Brunch at The Sunspot (5FSMs.jpg)


In spite of my body's yearn to sleep in on the weekend, I hopped out of bed at 8am this past Sunday morning. The weather was beautiful, and after catching up on a few on-line items, I paid heed to my growling stomach. I live close to Downtown, so my options for Sunday breakfast are pretty diverse. I decided to head down to The Strip for brunch at Sunspot. The restaurant's manager, Gina, told me the brunch menu changes monthly, so you can count on having different choices of brunchy foodstuffs. I was really tempted by the whole-grain blueberry pancakes with maple syrup and whipped cream, and fresh fruit on the side. However, I told myself that it being noon, I should go for something a little more savory - I picked the Sunspot Eggs. It couldn't have been tastier! Poached eggs on spinach leaf-laden focaccia rounds, topped with smoked salmon, and a generous coating of fresh-made hollandaise sauce. On the side, two juicy slices of Ruby Red grapefruit and some herb-seasoned fried potatoes. It was all terrific, but an extra-special kudos to the chef for that hollandaise sauce - I typically hate dill, but it was used so lightly and expertly, I only noticed it as a light, enjoyable flavoring instead of my usual reaction of, "ugh, dill!" The free basket of seasoned tortilla chips and salsa verde (tomatillos, lime, and chili - superb) was a delicious appetizer, too. My server was efficient and friendly, and sitting by the window added a nice, airy atmosphere to my brunch setting. I left Sunspot feeling completely satisfied & stuffed, two signs that are, to me, an affirmation that it was not only the perfect meal, but worth keeping at the top of my "Sunday brunch" list. If you haven't already, I strongly suggest you check this out on your next hungry Sunday. (5/5) -B.T.




Getting Toasted on the Front Porch (5FSMs.jpg)


This weekend I ushered in my favorite time of year: front porch season. It's a magical time of year when my friends and I opt for enjoying a bottle of wine (or four) at one of our homes, rather than making the standard trip to the bars. We practice the art of conversation and enjoy the night sounds of crickets and low music from the stereo. Last week, I invested in a chiminea for my back deck. This welcome accoutrement enabled us to stay outside until the wee hours (meaning 4 a.m.) of the morning without getting chilled. In fact, we all got toasted. It was glorious! (5/5) -S.S.




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It's time to start calling Downtown West. There's a movie you need to see.

The Host, South Korea's highest-grossing film of all time, has been racking up cash all over the world, and has just recently been released in the major markets of the U.S. So what makes this film so good?

The Host is, ostensibly, a horror flick. After all, the movie does feature a giant amphibious mutant lizard creature with a taste for human blood. However, there is a cleverly shot moment in the film when you realize that -wait a minute- this is a comedy, too. No one wanted to seem racist, so no one at the multiplex laughed when the Korean family started to unleash its initial grief (over the loss of a daughter) so cartoonishly. It wasn't until this family of four started to literally wallow in its own misery that the audience realized that this was a slightly different movie than the horror they thought they were going to see.

So if it's not a horror film, what is it? It's sort of Godzilla meets Little Miss Sunshine meets Shaun of the Dead meets a Michael Moore film. Let me explain. The crux of the film is that there's a dreadful monster that gets chased after by a dysfunctional family united in purpose, but the tone of the film alternates between broad comedy, broad horror, touching drama, and scathing political satire. Surprisingly, it succeeds at being everything at once without seeming choppy or direction-less. It's main point, in fact, comes through loud and clear: you only need look in your own backyard to find the scariest monster of them all. (4/5) -J.B.






What did you do this past week? Leave a comment and tell us!
S is for See you next week!

Knox rocks for "Detroit" Dave

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Possibly the most extravagant outpouring of local musical talent since 2003’s Metro Fest is taking shape in the form of a benefit show Thursday night for one of our own.

Funds collected at the concert at the “Detroit Dave Benefit” at the World Grotto on Market Square will defray costs incurred during uninsured heart surgery for “Detroit” Dave Meer, one of the hardest-workin’ guitarists in Knoxville. The show, organized by Meer bandmate Micheal Crawley, pulls together musicians associated with Meer since he moved to Knoxville a quarter a century ago from his namesake hometown.

In the decade and a half since Meer decided to plant stakes in Knoxville, where his parents had moved to open a printing business, the guitar-slinger has performed with a wide cross-section of local bands. From his original jams with Chico Crawford and Johnny Coleman in Chico and the Men, Meer hooked up with a succession of groups that helped bring on the brilliant musical era that struck Knoxville in the early ‘80s. Over the years, Meer was serially—if not simultaneously—involved with The Blues Merchants, Nairobi Trio, Bluefish, The Kim Baxter Band (Meer was in at least three bands fronted by songstress Kim Baxter), Crawdaddy, and The Fabulous Crowns. Meer at present is on the injured reserve roster with Michael Crawley (blues harpist extraordinaire and leader of both Crawdaddy and the MacDaddies) and the Corner Lounge’s Wednesday night house blues band with club owner and longtime associate, veteran drummer, Ed Corts. Meer colleagues in these bands include Hector Qirko, Jim Williams, Steve Brown, Jimmy Ladd, Roger Jones, Scott Campbell, Timothy Corts, Barbara Hawley, Kent McKimm, Michael “Bones” Allen, Ben Maney, Jason Dickerson, Mike Spirko and Rick Wolfe.

Many of these same musicians will be performing at the Grotto’s Thursday evening festival. Some special treats to be announced are in store, but, the lineup thus far includes: Todd Steed and the Suns of Phere, The Labron Lazenby Trio, Scott Miller, Dave Landeo, Karen Reynolds, The Macdaddies, RB Morris and Hector Qirko, Matt Woods (who also designed the poster for the event), Tall Paul and The Bearded. Also slated is a special reunion of Crawdaddy, with the four original members: Rick Wolfe on bass; Steve Brown on drums; Michael Crawley and “Detroit” Dave himself, hopefully.

“All proceeds go to help Detroit Dave with medical bills and daily living expenses. Since Dave's been laid off recently, and is uninsured, every little bit helps,” said organizer Michael Crawley.

Showtime is 7-ish p.m. Donations of $5 or more will be sought at the door. The World Grotto is located at 16 Market Square; phone (865) 226-2962.


Poster by Matt Woods

Teased & pleased at the Bijou

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Local writer/musician, R.B. Morris

Last Thursday’s Leon Redbone concert at The Bijou opened with local poet and musician, R.B. Morris, who treated us to a very entertaining and inebriated poetry reading that could have been entitled “The Man Who Reads Here is Loony.” Ripping page after page out of his new anthology of poems, Early Fires, Morris read several delightful and clever poems about Knoxville (d’uh), and a particularly sexy poem about the mysterious power women have over men. Later in the evening, Redbone thanked Morris for opening the show and quipped, “He’s no longer with us.”

Decked out in a dapper dark brown suit and trademark sunglasses and Panama hat, Leon Redbone, along with cornet player Scott Blake and ragtime pianist Paul Azaro, charmed the knickers off the crowd with what Redbone referred to as Dead Singers’ Society music, which included lovely jazzy renditions of My Blue Heaven, I Ain’t Got Nobody, and Mr. Jellyroll Baker. His multiple encores (“Either you people are gluttons for punishment - - or you don’t have homes to go to”) included Polly Wolly Doodle, Shine on Harvest Moon and The Sheik of Araby.

Redbone’s music was almost upstaged by his vaudeville-esque between-song banter. Scott Blake played straight man to Redbone’s daffy deadpan delivery throughout the show:

Leon: I’ve had trouble sleeping and I went to the doctor and he told me what to do and I didn’t do it.

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Scott: What did he tell you to do?

Leon: Drink liquor 1 hour before bed.

Scott: And you didn’t do it?

Leon: I tried for 45 minutes.

Scott: What’s the name of your doctor?

Leon: What?

Scott: What is the name of your doctor?

Leon: I’m adopted?

*
As an introduction to Reading Old Love Letters (Bring Memories of You), Redbone warned that “Life is full of disappointment - - and this might be one of ‘em.”

*

Leon: I have good news. The Mayan calendar says we have 5 years left.

Scott: This is good news?

Leon: It is if you believe it. Take out a big loan and enjoy yourself.

*

Scott: Who was that lady I saw you with on the street?

Leon: Why that was no street -- that was an alley. She said for $50 dollars she would do anything I want. Right now she’s painting my house. Two coats.

(Badda-boom! Badda-bing! The only thing missing from this schtick was a rim-shot.)

Prior to last week’s show, Leon Redbone last performed in Knoxville 15 years ago at the much treasured and sadly short-lived Ella Guru’s nightclub and restaurant in the Old City. Like many in Thursday night’s audience, he was sporting a dusting of gray in his hair. Here’s hoping he won’t stay away quite so long before returning to Knoxville. He truly is a treasure of a bygone era.

March 22, 2007

The Roundup for March 22nd

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Welcome to The Roundup, our weekly podcast that keeps you "uptuh date" on everything in 520 land. Brush up on your local music, listen to the podcast, and you might just win yourself a prize. Or a companion. You decide.


The latest episode is now up! In this week's edition: Scott Miller, biddable actors, Theresa Lopez-Fitzgerald, empathizing with the Germans, Kevin Buchmeier, craic addicts, and more!


Listen to it here.

Or use this RSS feed to subscribe via iTunes.

Or listen to it at our myspace site.


Yeehaw, K-Town.

King of Hearts

We couldn’t help falling in love with Chris Baratta’s Elvis Presley impersonation show at Wednesday night’s Cocktails at the KMA. This King of Hearts was adorable in his red jumpsuit as he sang, danced and walked amongst the giggling and admiring crowd.

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The KMA great hall looked like a 1950’s high school dance. Some walls were decorated with pristine vintage Elvis movie posters. Cliques of young and older women were huddled in circles, excitedly waiting for the King to saunter over and croon just for them. The guys were playing it cool even when they were nabbed by the King for a sing-a-long.

This successful conclusion of the KMA’s winter series of cocktail parties was definitely a crowd pleaser. The charm of Chris Baratta’s “Elvis” was irresistible as he sang and playfully interacted with the sizeable crowd for over an hour. Nearly everyone received some personal attention from the King, including the bartenders and the servers from Sweet P’s catering.

Chris Baratta, from Lebanon, Tennessee, has an extensive career in music and has also been featured in several commercials, including a 1998 chihuahua Taco Bell advertisement where he appeared as Elvis ironing clothes. Baratta’s “Elvis” is for hire for special events, festivals, private parties and weddings. Not only will he perform at wedding receptions, but he can also legally perform marriage ceremonies, as he is an ordained reverend. He is scheduled to appear at Oak Ridge’s Secret City Festival during the weekend of June 15. For booking information, please call Chris at (877) 899-1116.

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Elvis has left the building!

A Co-op Companion

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The Actors Co-op is proud to present their Annual Cabaret and Lawn Party/Garden Auction for their 2006-2007 season. This season the Cabaret will focus on everyone’s favorite Americana, Country, and Blue Grass songs. The Cabaret is inspired by Garrison Keillor’s famous radio program, “A Prairie Home Companion.” Attendees will recognize popular songs such as, "In the Jailhouse Now" by Jimmie Rodgers, "Blue Bayou" by Roy Orbison, "You Were Always on My Mind" by Willie Nelson, and "Jolene" - made famous by local legend, Dolly Parton.


The much anticipated, annual Actors Co-op Cabaret, entitled The Black Box Radio Hour Presents: A Co-op Companion, features the vocal talents of Dennis Perkins, Ellen Chemay, Cameron Watkins, Biz Lyon, Kevin Buchmeier, Casey Smith, Dennis Bussel and Sara Schwabe. The gifted, Geol Greenlee returns as Music director with Phil Pollard on Drums (also contributing writer) and Chris Zuhr on Bass/Guitar. Helping make this year’s Cabaret a success is the wonderful production staff of: Jon Chemay - Writer/Lighting Designer, Christy Fogarty – Set Designer, and Rob Link – Hair and Make Up.

The Springtime Cabarets have become a Knoxville favorite for their entertaining themes and songs presented by some of the area's most respected performers. Please join the cast and the Yankee Jass Band as they bring to life an old time radio show complete with crooners, live sound effects and product jingles! Responsible adults may BYOB and
enjoy a trip back in time with favorite folk, country and honky-tonk songs.

As if that wasn't enough, the whole production relocates on Saturday March 31st down the street to The Fairbanks, located at 315 Mohican Drive for their Annual Lawn Party & Garden Auction.

There will be a silent auction followed by a live auction and a special presentation of this
years Cabaret on the Fairbanks stage. Items up for bid this year include various packages that will feature items from the Knoxville arts community and other local restaurants.

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Once again, Ed White’s beautiful plant arrangements will be auctioned off to the highest bidder. Local auctioneer Matt Roach will host a live auction that will feature such spectacular items as a cameo appearance in the ’07-’08 Cabaret, gourmet dinner for 8 sponsored by the Actors Co-op Board, a weekend getaway to Pigeon Forge at Fairfield Resorts, a behind-the-scenes tour/tasting at New Knoxville Brewing Co., a private performance by Mitch Rutman, and many more surprises! Preview for “A Co-op Companion” is Thursday March 22nd, followed by opening night Friday March 23rd. Shows are Thursday, Friday, and Saturday at 8pm. “A Co-op Companion” closes on Friday March 30th, followed by an “Encore” performance at the Actors Co-op Lawn and Garden Auction on March 31st, at 7pm at the Fairbanks. The Lawn and Garden is the annual fundraiser for the Actors Co-op. Tickets for the Cabaret are $15 for open seating and tickets to the auction on the 31st are $35. There will be an open cash bar at the Fairbanks for those who would like to purchase alcoholic beverages.

Tickets are currently on sale through KnoxTix. Call KnoxTix at
523-7521 or visit them at www.knoxtix.com. For any other questions regarding the show or the Actors Co-op please call 909-9300.
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March 21, 2007

The Clipse Show Cancelled!!

This just in from the good folks at A.C. Entertainment:

Tuesday's Clipse show at the Bijou has been canceled. Ticket buyers can obtain refunds directly from Tickets Unlimited by calling (865)656-4444 or by the following methods:

Ticket holders may obtain refunds via the following methods:

Full refunds will be provided through the location where ticketholders made
their purchases. Customers should follow the steps below to receive a
refund:

1 ­ If purchased through the Tennessee Theatre box office, tickets should be
mailed to:

Tennessee Theatre
P.O. Box 272
Knoxville, TN 37901

2 ­ If purchased through Cats Music, Disc Exchange, Thompson Boling Arena,
Tickets Unlimited, tennesseetheatre.com, tickets.com, or
knoxvilletickets.com, tickets should be mailed to:

University of Tennessee
Thompson Boling Arena
1600 Phillip Fulmer Way, Suite 202
Knoxville, TN 37996

3 - The following information should be included with all mailed tickets:
Name
Phone number
Address
Method of Payment ­ Cash, Check, Credit Card number

Refunds for tickets purchased via credit card, will be credited to the card
used. If cash or a check was used, the refund will be issued by check to the
address provided with returned tickets.

Any way you can help spread the word about the cancellation would be great.

March 19, 2007

You Are My Passions For Life

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Welcome to the passionate 520 blog, The Monday After. This is our attempt to blast through our Monday morning hangovers and offer up some quickie reviews of all the things we’re pretty sure we got into this past week, including gigs, concerts, movies, plays, and restaurants. Pop a couple of ibuprofens and enjoy.


We here at 520 aren't quite sure if we have the will to go on (watching daytime television).

Sure there's Ellen, in all her pant-suit feel-good dancing glory. And those deliciously loud crows from The View, shouting their opinions for the gods to hear. And there's Meredith, everywhere, bouncing from Today to Millionaire. There's even Granny and Jethro, if you can stand that show.

But soon there will be no Tabitha, the three hundred year-old witch. There will be no Sheridan Crane, best friend forever to the late Princess Diana. And there will be no Theresa Lopez-Fitzgerald pining away over the love of her life, Ethan Bennett.

Passions, NBC's ridiculously awful soap opera, has gotten the axe after nearly nine years on the air. And by ridiculously awful, we mean gloriously pleasing. Where else but Passions would a main character be a magical doll brought to life by a sorceress? Where else but Passions would you be rewarded with a lavish, fully choreographed, fifteen-minute Bollywood dance/dream sequence? Where else but Passions could you regularly expect cheesy plot lines, bad acting, and cheap production values, and yet still find yourself tuning in just for a fabulous moment of payoff, like that time they replaced an actor halfway through a storyline, told the viewing audience about the casting change via voice-over, and then had Tabitha hear the otherworldly voice-over and freak out over it. Passions broke down the fourth wall, broke our not-gonna-watch-any-stupid-soap-opera will power in two, and now is breaking our hearts.

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Good-bye, sweet Passions. We shall miss you.



And now for our weekly rankings!




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Sláinte!

A trip out to Turkey Creek (a.k.a., "East Nashville") turned out to be the best way to honor St. Patrick. John, Claire, Noel and the rest of the gang at The Irish Times certainly know how to throw a party! From tasty Shepherd's Pie to readily available Guinness to cops helping folks call cabs (rather than waiting to arrest them as they tried to drive home), The Irish Times was certainly the most organized of all the holiday celebrations in town! Even though we missed the traditional Irish music, the cover tunes of the Graceful Failures were perfect to keep the party going til the wee hours. I look forward to trying the place on a non-holiday night and drinking my pint of Guinness in something other than a plastic cup, however. Overall, it was good craic! (4/5) -S.S.




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Living in the Fort for two years of my life, I made a lot of friends across a broad political spectrum. (Okay, so they were mostly hippies, but some were way more liberal than others.) And when living amongst poor artists and students, the topic of socialism inevitably comes up. Some loudly oppose it, some mourn its unpopularity, some praise its potential, some espouse its essence in the way they live their lives.

In The Lives of Others, the Oscar-winning foreign film from German director Florian Henckel von Donnersmarck (which sounds like a lost character from The Princess Bride), the crux of the problem of socialism is examined: wanting what you can't have. In this particular case, the object desired is not material, but internal. An East German government worker, Hauptmann Gerd Wiesler, is sent to spy on a writer and his actress wife, but the more he listens to their lives over his wire taps, the more he wishes his own life had the passion and purpose that theirs do. Wiesler truly believes in the self-sacrifice that socialism requires, but is torn between his sworn duty to the cause that he is quickly losing faith in, and his allegiance to his new "friends" who have given him a glimpse into a world that's not so lonely.

The Lives of Others is a touching film, and while it reminds us that being human goes hand-in-hand with desiring things that do not belong to us, it teaches us that there is beauty in the sacrifice of the self for the good of your country. (5/5) -J.B.






See you next week!

Cocktails at the KMA: Rock n Roll!

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This is it! The third and last of our "sex, drugs, rock n roll" themed Cocktails at the KMA. We had burlesque dancers for "sex," vintage movies of celebrities off-kilter for "drugs," and appropriately we've got The King for "rock n roll." Come out this Wednesday (the 21st) at 6 to have some fun at the Knoxville Museum of Art.

I don't know what the rules are in the world of Elvis impersonators, so I don't know if I supposed to tell you his name. The first time I talked to him, he quickly told me he was "the number three Elvis in the world," then went through his lengthy list of live, TV and film appearances. So if you're the #3 Elvis is the world, does that mean that Elvis Presley is #1, someone else is #2, then you are #3? Or does Elvis not count, making there TWO people that are better than you? I'm going to have to subtly ask our Elvis on Wednesday.

For those of you who were at the previous "Addicted" night, you might remember me announcing that we were going to have a step show from an African-American fraternity. Well, the best laid plans of mice and KMA planners often go awry. We weren't able to confirm any of the frats, so went with our back pocket plan of Elvis #3.

We're doing this in a room other than the Great Ballroom, I think it's called the Not-So-Great Ballroom. But we wanted something smaller and more intimate, 'cause that's what The King deserves. Still with the food and drinks (this is about the cocktails, natch), so come on down to our last Cocktails this Wednesday at 6, at least for a while.

Many many thanks to our friends at the KMA for having some fun with us (David, Angela, Frank, Matthew, etc), and thanks to Michele, Shayne, Chad and Sara for helping put together the three-part series. I like to think that we've done something new and interesting, raising the awareness of the KMA, but we'll let everyone that has come out decide that.

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Run Hippie Run (pt. 2 of 2)

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(continued from here)

The artists I’ve met during my running experience fall into a few different categories. Sometimes I work for those who I’ve respected for years, such as David Grisman, and working for them furthers my adoration. Some times my opinions change upon meeting an artist turning a once ill-favored judgment around or vice-versa and then again there have been a few occasions when I’ve gone in blind or skeptical only to find an artisan where I’d least expected it. Bruce Hornsby definitely gave me that experience last year at the Tennessee Theatre and just a week ago Harry Connick Jr. left me with an equally substantial lesson on rushing to judgment.

Admittedly, it was the circumstance of my job that day which propelled me to my skepticism of Harry. My alarm went off at 6:30 a.m. on the Saturday morning beginning my “spring break,” I jumped up with no snoozes, took down coffee #1, and quickly got my things together. I arrived at about 7:15 to find load-in already in progress. Four tractor-trailers and three tour buses ranked among the biggest productions I had ever worked in. His tour manager had already installed a portable office into the backstage area of the Civic Auditorium and after a trip down to catering for a little breakfast and coffee # 2, Rebecca, the other runner for the day, and I reported for duty. Harry’s tour manager handed us a printout of all the days runs and contact info, proving he'd been doing this long enough to have the whole thing down to a science. I won’t bore you with any recounts of the majority of the day’s runs as they were mostly of the standard (laundry, grocery, etc…) variety, but I will share one run I did with Harry.

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Early in the afternoon, Harry’s assistant told us that he wanted to go to the driving range, so we naturally started calling country clubs and such to try to find somewhere to go; after a few “members only” responses, we were tempted to drop the name to gain admittance but Harry told us, “Any old driving range will do.” And with that Harry, myself and two others (I believe a driver and a musician) headed down Chapman Highway to one of the most “quaint” establishments I’d ever seen. This place consisted of a shack, a tractor, some nets and a kindly old gentleman running the show. There was definitely something amusing about watching a movie star out amongst some east Knoxvillians hittin’ a few buckets. Nobody recognized him and I wouldn’t have either - Harry looks and acts just like a down-to-earth, average guy talking with an authentic New Orleans drawl. I didn’t speak much to him on the way down as he was catching up with family on the phone, but on the way back I put on a classic Miles Davis recording from the beginning of his second great quintet. When Harry and the guys ended their golf conversation the music caught his ears. As soon as the first piano solo came along he reached over and cranked up my stereo. “Herbie man, Herbie” was all he needed to say to let me know he knew exactly what was being played. That jumpstarted a short conversation on jazz that left me thinking, this guy really knows what he’s talking about. And with that I decided I would check out as much of his show as my schedule would allow.


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Unfortunately, I was busy when Harry’s set began. He had drawn over two thousand people into the auditorium and an Ice Bears game was happening simultaneously in the Coliseum, so as you can imagine the scene was hectic. About thirty minutes after the start I able to sneak into the show. The first thing I saw was Harry striding around the stage in mid-rant. “You see what we have in New Orleans is a musical society based on respect and heritage.” He went on to talk of the past generations of musicians, some he knew the crowd would recognize and others he talked about as being legendary but only to those in and around New Orleans. This I came to realize was the theme of his tour, raising awareness and money for the rebuilding of New Orleans. When Harry’s talk was over, he sat down behind his Steinway and got down to business. He snapped his big band, similar in size to our KJO, into a 32-bar tune that reeked of New Orleans swing. The melody was extremely catchy and then Harry and the tenor-man exchanged blistering solos. When the tune ended, Harry announced that it was a brand-new original that he had just finished the charts for that very day. Damn - here I was thinking he was just a crooner who made a living making housewives swoon. Don’t get me wrong: Harry definitely does some crooning, but in the hip style reminiscent of Frank Sinatra, and once he started singing he projected with dexterity and intonation that at least rivaled (if not surpassed) Sinatra.

I only saw the middle chunk of his set, but I was left with the feeling that Harry is an honest jazz musician from New Orleans with a pure musical heart and absolutely none of the mass-produced pop appeal that my skeptical ignorance had allowed me to envision. I worked until just before 1 a.m. doing mostly routine driver pick-ups and food delivery. The day ended at 17 hours long and I was a little delirious from the half-dozen cups of coffee I had consumed, but it was definitely worth it to get a little supplemental income and to meet a guy who exemplifies that it’s possible go through the rigors of Hollywood and TV and still maintain a good-heart and give back to the city you're from.

Get Lucky contest

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Our last contest was such a success, that we at 520 wanted to give you another chance to show the world how fun you are - and earn a few bucks in the process.

However, it seems that everyone was too busy going wild in Cancun or Destin over Spring Break to send us their St. Patrick's Day stories. We had several entrants, but are still waiting on their blogs. There's $150 on the line, so we'll still print your blogs if you send them in today (3/19) through Wednesay (3/21). The email address is 520contest@gmail.com, in case it got lost with your luggage.

If y'all are still too hungover to type, we'll just put the prize money towards our next contest, which starts in a few weeks. C'est la vie!

520

Vintage seduction

LISTEN UP YOUNG PEOPLE! GO SEE LEON REDBONE AT THE BIJOU THIS THURSDAY! WHY AM I SCREAMING? BECAUSE I DON’T WANT YOU TO MISS THIS!!!

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We old farts were around in the mid-1970s when Leon Redbone hit the scene. We remember him from his performances on Saturday Night Live and The Tonight Show. We know how incredibly cool and clever this mysterious mustachioed vintage-style crooner and guitarist is. So, we know enough to be at the Bijou on Thursday, March 22nd. You need to be there too.

Leon Redbone doesn’t come around often, and I would hate for you youngsters to overlook this one-of-a-kind show. Imagine soft warm breezes blowing through a lace curtain; old fashioned handmade lemonade; lazy canoe rides; and mint juleps and front porch swings. Redbone’s music is magical, romantic, and fun.

Some refer to him as a vaudeville performer, but there’s no 23-skiddoo, slapstick or vodeodo here. Redbone performs classic covers and originals inspired by pre-World War II jazz and folk music. His delivery is smooth, sweet and sly.

If you won’t take my word for it, just ask your parents. Also ask them for $25 for a ticket. I’m sure they will be happy to oblige. Local legend R.B. Morris is going to open the show with a poetry reading. So, take a break from your jam bands and feel what it’s like to really be seduced.

See Leon Redbone on YouTube!

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(front page image: Minnesota Public Radio/A Prairie Home Companion)

March 16, 2007

Kenny Loggins to give fundraiser performance

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Kenny Loggins has been many things to many people over the past three decades -- “a moving target” as he’s put it. In his time, Loggins has been a guitar-slinger with a psychedelic rock band, a hot young songwriter with a publishing deal, half of a legendary country-rock duo, a massively successful and accomplished solo artist, a sonic pioneer in the smooth jazz genre, a reigning soundtrack superstar, a rocker, a seeker, as well as an enduring recording artist and live performer whose most recent works have spoken deeply to both young audiences and decidedly adult and worldly concerns. At the heart of it all, there remains a brilliant singer-songwriter and guitarist with a lifelong passion for exploring the endless power of the song to communicate.

In the 80s, Loggins became more famous than ever as the king of the movie theme songs, thanks to massive smashes like "I'm Alright" (from Caddyshack), "Footloose" (from Footloose), "Danger Zone" (from Top Gun), and "Nobody's Fool" (from Caddyshack II). Loggins also continued to record albums that were introspective and deeply personal, including 1985’s Vox Humana, 1988’s Back to Avalon, 1991’s Leap of Faith (featuring “Conviction of the Heart,” a song Al Gore called “the unofficial anthem of the environmental movement”), The Unimaginable Life (1997) and 2003’s It’s About Time. During this same period, Loggins continued to take on new challenges like recording a Christmas album (1998’s December) and two successful and acclaimed CDs for children: 1994’s radiant Return To Pooh Corner and its worthy follow-up, More Songs From Pooh Corner.

In 2005, Kenny Loggins reunited with his former partner Jim Messina to great surprise and considerable acclaim. As much personally as musically, the Sittin’ In Again tour allowed Loggins to rediscover an old friendship. That done, Loggins finds himself doing again what he has always done -- writing and playing his songs, digging deep and looking toward the next step.


Tickets may be purchased through the web site below, or at any of the following outlets.
Coliseum Box Office, Charge by Phone - Tickets Unlimited (865) 656-4444 or toll free (877) 995-9961; “Tickets Unlimited” Outlets including all Knoxville area Cat's CDs and Cassettes, Disc Exchange, f y e Music (formerly Camelot) and the Rhythm Section in Gatlinburg. Please note all outlets are CASH ONLY! Tickets are subject to an additional “Tickets Unlimited” Service Charge.

Additional Information: Call the Coliseum Box Office Monday - Friday from 10:00 AM to 5:00 PM (865) 215-8999.

Tickets website: Buy Tickets
More info website: Kenny Loggins Web Site
Knoxville Civic Auditorium-Coliseum Web Site
East Tennessee Children's Hospital Web Site
Presented by: B97.5
Produced by: Yester Years Music Palace

March 15, 2007

Run Hippie Run (pt. 1 of 2)

Mention the words “Spring Break” to some people and they’ll conjure up images of drunken debauchery on the Cancun shores. For me, this year’s “break” began with two long days of servitude in Knoxville’s entertainment scene.

First for moe. at the Tennessee Theatre and then for Harry Connick Jr. at the Civic Auditorium. My job: an event runner. As I’ve stated before, a runner is a temporary employee hired for a specific event to do whatever comes up, anything from runs to Guitar Center to fix blown amplifier tubes to late night trips to Starbucks.

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moe. has been one of my favorite bands for the last five years because they embrace both sides of the coin, weaving musically challenging arrangements with open improvisation and juxtaposing the thought provoking lyricism prevalent in a good percentage of their tunes with nonsensical word gaming in others. This type of “in and out” mentality is a necessity in the psychedelic music scene in which moe. has thrived for 15 years. Though rumors of increasing tension between band members and a general slipping in popularity are abound, moe. proved that there is plenty of love left for them by drawing a thousand people out to the Tennessee Theatre on a Wednesday night in March.

I arrived just past noon to find the band already on site and the load-in process underway. No catering was booked for the event so I knew I would be taking on the responsibility of feeding the crew-- and with guitarist Al Schnier being a strict vegan I was thankful that The Tomato Head was in walking distance. I carried out the routine grocery shopping duties, made one trip out for equipment and a few other random runs but the day in general was quiet and smooth. In retrospect, I wish I had spoken to the guys more. Maybe I’m oversensitive in not wanting to be that guy-“Hey man you remember that show in ’02 in Atlanta, you threw out your pick and I didn’t catch it but it came near me and anyway could you play that one that you're sick of but I want hear…” but the moe. crew definitely seemed a little road-worn and I felt obliged to give them their space. A quick sound-check was followed by dinner from Trio (quite tasty) and the always hectic “opening of the House”.

At 7:00 the doors opened and…oh no…(whiff whiff)…I smell hippies. Hide all the valuables objects, hide all the invaluable but SHINY objects, hide anything that could be used as a drum…wait, what’s that…(whiff whiff)…dammit I smell grilled cheese it’s all over, better go crouch in a hallway with a textbook over my head.

OK so I’m a little bitter at recent comments I’ve seen or heard from otherwise intelligent people who cast blanket generalizations over fans of the jam band scene. One of my professors whom I had otherwise respected went off when a student mentioned Bonnaroo. “Isn’t it pathetic…bunch of ‘Trustafarians’ rolling up in their daddy’s 4Runner with their dread locks trying to get all back to nature.”

I fully admit that there exists those who exemplify the stereotype but I choose to focus on the majority of music loving, good-hearted individuals I have crossed paths with at festivals and concerts. Indeed I myself have received the hippie stamp as I am a vegetarian who plays long-winded guitar solos and has yet to shave or get a haircut in ’07.

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But something that hopefully separates the fans of today from the thousands of kids who fled to Haight-Ashbury is that we are willing to work hard for what we want. I am a full-time student at UT, a member of a very active band, I hold down multiple jobs and still make time for somewhat of a social life. So if there is a decline in the attendance of jam band shows I would like to believe that the “Tune in, Turn on, Drop out” mentality of the past has given way to a line of thinking that is less “buck the system” and more “work it to your advantage.” The thousands of people who dropped out of society to follow the Dead and then Phish elevated those bands to playing arenas but ultimately the majority of those people came down to find themselves homeless, disillusioned or at least in some ways back where they started…bloggity blog blog…I thought this was about the moe. show.

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Luckily I got to check out most of the two long sets the moe. fellas played that night. This was definitely a tour to promote their new record The Conch and their first single “The Pit” fittingly opened the show. Along with the new tunes, moe. showed the depth of their catalog, pulling tracks from all seven of their studio albums including classics like “It” and “Sensory Deprivation Tank.” With about a dozen of their shows under my belt I can safely say that this wasn’t their best night. Not bad. Not bad at all actually, but I know what this band sounds like when they’re inspired and this was not the night. I was running in and out so maybe that influenced my opinion. Their light show was captivating but a little over the top at times, with vertigo inducing strobe effects, multicolored patterns and blinding floodlights.

But my hat’s off to the lighting director for creating such an intricate display to go along with their equally intricate compositions and improvising right along with the band during jams. I guess playing a 100+ shows a year will do that.

I missed the close of the second set in order to line-up some pizzas but the guys definitely had the after show glow when they came off the stage. Plenty of friends and family were in attendance and chatting in the green room. I made my final run to pick up the bus driver, did a little clean up and I was out the door ending a 12-hour shift.

So that’s how my spring break began. No beer binging waiting for the Girls Gone Wild Crew on a sandy coast, but instead a little cash in my pocket and another experience and lesson in what it takes to put on a show. Two days later I’d be working for Harry Connick Jr. at the Civic Auditorium


Continues here

The Roundup for March 15th

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Welcome to The Roundup, our weekly podcast that keeps you "uptuh date" on everything in 520 land. Brush up on your local music, listen to the podcast, and you might just win yourself a prize. Or a wife. You decide.


The latest episode is now up! In this week's edition: Drunk Irishmen, cheap do-it-yourself salad-tossing, James King Band, Guess That Local Tune, St. Patty's Day blog contest, exposed flesh, a very special mother-daughter booze run, and more!


Listen to it here.

Or use this RSS feed to subscribe via iTunes.

Or listen to it at our myspace site.


Yeehaw, K-Town.

Singer Songwriter contest

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Stir Fry Cafe in Turkey Creek (Lovell Road) is hosting the 105.3 WFIV singer/songwriter contest, every Thursday night through the finals on May 10. Rik's Music and Nightsong Recording Studio are co-sponsoring this event.

Each Thursday night, beginning at approximately 9:00 p.m., contestants who have registered through www.stirfrycafe.com will perform up to three original songs and will be judged on performance and originality. Performances should last between 10:30 and midnight, depending on the number of contestants. At the end of the night, a winner will be determined and will advance to the Winner's Circle Final.

The winner receives over $1500 in recording time, gear and airplay on 105.3 WFIV.

Spread the word and come out to cheer on your favorite local artists!

The art of publicity

Some people say bad publicity is better than no publicity at all. Some people say halitosis is better than no breath at all. But why settle for such negativity when you don’t have to? Dental hygiene options abound all around us. And surprisingly, here in Knoxville, there are three small talent/publicity businesses that can assist you as you pursue your creative endeavors. All three of these businesses offer affordable services dependent on an individual client’s needs and budgets.

Erin Schettler’s Outside the Box Entertainment LLC represents bands, solo performers and comedians. Virginia Prater’s Prater Publicity represents a wide array of small businesses (art, wine tasting, stationary) and up-and-coming entertainers. Leslie Ogle and Emily Moore have decades of experience as writers, editors and publicists, and their business, OgleMoore, provides a variety of assistance to creative, technical and scholastic writers.

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Outside the Box Entertainment is a publicity company that was formed in December 2006 by Erin Schettler and Melissa “Meli” Rosenthal. This new company sprang from Erin and Melissa’s budding success following their October reopening of the 4620 nightclub in the Bearden area. Ms. Rosenthall, who was also a practicing attorney, had lived in New York for several years and hoped to model 4620 on clubs she enjoyed in the Big Apple. With Erin’s experience with the local restaurant and music scene, these two friends and business partners opted for an appetizer menu that included tapas-like duck tacos, blue point oysters and sesame shrimp lollies. The club also offered unique desserts, a full line of quality cigars, and numerous specialty martinis. One of Erin’s brainstorms was a wildly popular and unusual Ladies’ Night called “Manicures, Manolos and Martinis.” This weekly event gave women a chance to relax by having manicures, enjoying discounted martinis, watching Sex in the City videos, and registering to win a pair a Monolo Blahnik shoes.

Erin also acted as the club’s booking agent and she experimented with several bands, comedians and contests. Soon the club was attracting a large diverse following and several entertainers were interested in working with Erin outside of 4620. In December 2006, Erin and Melissa formed Outside the Box Entertainment LLC, and began representing performers, including the funkalicous Jaystorm.

Outside the Box Entertainment allows clients to pick and chose the type of representation they want. Jaystorm already had numerous local connections, so Outside the Box Entertainment books Jaystorm in other cities and acts as liaison between the band and various media outlets. Outside the Box Entertainment also prepares media kits that include t-shirts, bumper stickers, flyers and newspaper advertisements.

In late January, around the time Outside the Box was inking a deal with several out-of-state comedians, tragedy struck. Melissa Rosenthal and 4620’s General Manager, John Heiser, were killed in an auto accident. Erin has since closed 4620, but she remains busy with Outside the Box Entertainment and freelancing for Target Media.

For more information, please contact Erin Schettler at (865) 455-0961; erinschettler@yahoo.com ; Myspace

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Virginia “Ginny” Prater easily stands out in a crowd with her dazzling smile and thick curly hair. Her distinguishing features became part of her whimsical professional logo, created by Moxley-Carmichael, when Virginia formed Prater Publicity prior to her 2003 graduation from the University of Tennessee’s Communication/Public Relations department.

In 2002, while still a student, Ms. Prater knew she wanted to hone her public relations skills in New York City and she successfully researched and landed an internship with KSA Publicity, a firm that boasts Sting and Lenny Kravitz as clients. There she learned everything that a publicist does, including hands-on experience with media kits and press releases.

Before she returned to the University of Tennessee, Virginia had already landed her first client, Natalie Blalock, a New York Cabaret singer. Her early representation of Natalie Blalock included placing show information in Time Out New York, the Daily News and Gay City News, which resulted in large crowds attending Ms. Blalock’s shows. Natalie Blalock is still a Prater Publicity client and has referred other entertainers to Virginia’s business. Some clients have found Prater Publicity on MySpace, and other clients were obtained when Ms. Prater approached them after a show. “I have to really love a band [or business] in order to represent them.”

In addition to up-and-coming music performers, Prater Publicity also represents theatres, artists, art galleries and other small businesses. She also offers website design and promotion and special event planning. For special events, her company may be responsible for well coordinated invitations, press, food and wine. Local photographer Tovah Greenwood also provides photography services for Prater Publicty clients, which include Christabel & the Jons, Nova Delinquents and Stephanie’s Id, an avant-garde singer from Asheville, North Carolina. Presently, Prater Publicity is busy coordinating Id Fest, an April music festival in North Carolina that involves twenty-five bands, two venues and numerous committees and sponsors.

In the past year, Virginia has been especially pleased to observe the popularity of local band Christabel & the Jons. “Their success has been growing by leaps and bounds. They have acquired a touring van and have already completed a successful tour in the western United States. They have recently appeared on the cover of three area entertainment newspapers.” As Virginia works with a new local jazz samba band, Nova Delinquents, she is hopeful they will soon be on a fast-track like Christabel & the Jons.

For more information, please contact Prater Publicity at (865) 300-2107; praterpublicity.com and Myspace.

Entertainers aren’t the only ones well represented in Knoxville. OgleMoore, a three year old full-time public relations company, offers assistance to writers. With over 20 years of combined experience, Leslie Ogle and Emily Moore offer services that include research, copyediting, book editing, proofreading, book publicity, public relations, manuscript review, speechwriting, writing coach (including songwriting), and ghost writing.

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Leslie Ogle has 17 years of marketing, public relations, and media and advertising experience. She has a master’s degree in public relations/journalism and has taught college level communication classes. Ms. Ogle has also worked in book publicity for over 10 years. She credits Dottie DeHart and Celia Rocks of Rocks-DeHart Public Relations, as her mentors. “Through them, I learned so much, and gained PR expertise that I never would have gotten anywhere else.”

Her writing has appeared in Forbes, The Wall Street Journal, the Los Angeles Time, among others. She has also booked clients on The Today Show, Oprah, CNN, Bloomberg Radio and National Public Radio.

Emily Moore has worked at Nathan Public Relations in New York. She also has extensive experience with creative marketing in the New York theatre world. Her writing has appeared in Technology Review, The Pak Tribune, and Chocolate for a Teen’s Soul, as well as other publications.

She is also an editor, ghostwriter, published songwriter, and jingle composer. She has studied extensively under Sheila Davis, author of The Craft of Lyric Writing. “One of Shelia’s primary and most valuable lessons regarding lyric-writing is the eloquently simple, “Don’t tell me; show me.” That advice directly applies to fiction as well, and when followed, produces the most original results.”

OgleMoore edits and proofreads all types of manuscripts, including books, short stories, speeches, business reports, government white papers and screenplays. “We enrich the experience of authors by helping them to see incongruous plot or character developments they may have overlooked, or dramatic conflicts they may not have thought of. And if we think your manuscript needs a rewrite before you engage our editing services, we’re going to tell you that as well,” says Emily.

In local writer Ron Miller’s travel autobiography Escape from the Happy Cannibal, Miller acknowledged gratitude for Leslie and Emily’s professional assistance: “You went far beyond the normal role of editors...and added valuable input to the content of the book, and greatly enhanced its readability."

“Our face-to-face contact with Ron Miller has proved very rewarding. Ron initially asked us to edit his autobiography. Once it was published, he continued our association by engaging us as his publicists.” Ron Miller is presently on an extensive nationwide book tour, which included appearances at Knoxville’s Borders Bookstore and Mast General Store.

For more information, please contact:
OgleMoore
Website
oglemoore@gmail.com
Direct lines/emails:
Leslie Ogle 865.609.1199 leslieogle@comcast.net
Emily Moore 865.254.5244 emily.moore@gmail.com




March 12, 2007

Art carnival: review of the "Big Show"

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A traveling circus of an art show came to town Friday night and if you weren’t one of the 500-plus folks to witness this bedlam of artistry ranging from graphics to industrial, mechanical to musical, you should get another chance when the Big Art Show returns this fall.

Hosted at Ironwood Studios, Preston Farabow’s new, hangar-like digs off North Central Avenue in what used to be an auto body shop, the Big Art Show is a touring collective of artists and musicians who recruit local sculptors, painters, photographers and bands at each of their stops.

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With hundreds of paintings, photographs, apparel, home furnishings, sculptures and novelties arrayed along aisles set up throughout Ironwood’s gritty interior, and with one band after another coming on, and too many conversations to keep up with, a person wandering through the carnival of creativity might have come across Mary Nietling’s homemade religious icons. Since one of the votive figures featured eccentric Mexican painter Frida Kahlo, the orientation of the Knoxville teacher’s work is decidedly ecumenical and light-hearted. “I'm a Catholic girl,” said Nietling, “I spent a good bit of time in Mexico, and I'm interested in the value of myths and believing in something; a hope against hope, wish for the best kind of thing.”

Around the corner, Glen Glover was selling clocks built into an assortment of unlikely objects: a colander, a photograph of President Bush and Vice-President Cheney (slugged: “Time’s Up!”) and even a Ray Charles album. Denise Sanabria was giving away some nutty Jack Chick-parody evangelical pamphlets inspired by some genuine zealots who infested the Old City a few years back.

And then there was Advance Metal Fabrication’s “gong,” a five-foot tall trapezoid of textured, stainless steel that resonates with a kind of musical scale as it heats up. The metal box, created by Knoxville native and veteran metal artist John Ryan, is hermetically welded all around its seams—there is no sound hole.

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There seemed to be evidence of an Iron Age coming to Knoxville, fittingly since the Big Art Show was hosted at Knoxville’s premier artistic blacksmithy. In addition to Farabow and Ryan, Rodney Cash, perhaps best known as a drummer around town, also had welded art on display, as did Halls native Mike Ensor (International Ironworks) and Morgan and Pat Fitch (Weld and Crazy). Incidentally, Cash was on stage, drumming behind Chick Graning, as well as exhibiting his own custom forged, metal fabrications, making him possibly the only artist working the show in two entirely different media.

Of the group of seven touring artists, Sarah Maier, representing clothing makers Fort Cloudy of Baltimore, Maryland, put it most flatteringly after the show: “Everyone on the tour has decided that Knoxville was our best show so far. The folks in Knoxville that organized it did a really wonderful job.”

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Speaking of organizers—that would be Amanda Starnes. If her boyfriend, Samuel Williams, weren’t friends with Mossy Rock, one of the Big Art Show’s traveling bands, the show might never have come to Knoxville. A member of Mossy Rock casually mentioned to Williams that they were thinking about adding Knoxville to the Big Art Show itinerary. Mossy Rock turned their end of the conversation over to Big Art Show creator Paul Yavarone Jr., and Williams put his girlfriend, the fledgling promoter, on the line.

“Paul pretty much left it up to me to do as much as I wanted. So, I ran with it,” Starnes said. The next big step was finding a venue big enough to hold such a sprawling event indoors. “I left a press kit on Preston Farabow's desk one day. He was pretty into it. When he asked where it was going to be, I just said, ‘how about your new place?’

Starnes then flogged local media and community organizations and worked the internet, plastered flyers everywhere and talked to everyone she knew, especially her many contacts from stage and lighting work. New Knoxville Brewing Company stepped up with a generous price on beer and Sound Ventures donated sound. Volunteers came aboard to handle the background jobs: administrative stuff, sound board, lights and bartending.

“There were already two touring bands coming with the show, but we still wanted three more local groups,” Starnes explained. “I approached Phil Pollard and His Band of Humans, Chick Graning of The Skinwalkers, and Samuel’s group, What Have We Become (a spoken word/musical ensemble featuring the sibling renaissance team of Larry and Kari Hoffman) to fill those spaces.”

The Big Art Show was Starnes’ first big event. Even though it was a pro bono gig, she sees it as a great start-up for her production company, Dirty Sangria. “This town has been screaming for events like this for some time now and the prospect of being able to make this happen was by far worth more than any paycheck could provide.

“For years now I have come to know some amazing people in this town and the circles that intertwine them. I've always wanted to put those different circles in one room and stand back and just watch what happens.”

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Yavarone’s web site states that the Big Art Show is all about exhibiting “unknown and independent” artists in a setting “unspoiled by money and politics.” He also describes art shows “morphing into a location.” Such a space could hardly be imaginable in Knoxville without a gigantic, utilitarian room. Like a garage. Like Ironwood Studios—new home to Farabow’s Aespyre with its long-running tradition of making the iron industry a festive one, now partnered with McGilvray Woodworking.

Cindy Farabow said events like hosting the Big Art Show and the First Friday celebrations are giving Knoxville a rising profile. A Nashville gallery owner told her “the artists here are all talking about the cool scene stirring in Knoxville!’”

Farabow said Ironwood, on Jennings Street across North Central Avenue from the Corner Lounge, continues to undergo renovation to suit their needs. “Our vision is that this little area will develop as sort of an alternative downtown with galleries, music, bistros, unique shops, all within walking distance of the historic neighborhoods.
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(photo credit: Libby Morgan)

Rodney, Dickens and me

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I share downtown Knoxville with a fairly robust homeless population. With a relaxed attitude and a bare minimum of common sense, I almost never feel unsafe, but if you walk a fair bit downtown, and I do, you can expect to brush off a half dozen involved panhandling requests a day. It has hardened me. I almost always give to street performers, and on occasion to people who simply ask for change, but I am no longer even polite to hustlers.

One of these hustlers, a wacky wiry older fellow named Rodney, was working me a few months ago, offering to carry some booze up to my apartment for a party I was having. I blew him off, and I guess he decided he didn’t like me anymore.

So how does this relate to Dickens?

One of my favorite parts of Great Expectations is when Pip returns home soon after his good fortune. He is obviously pleased with himself, and enjoys the homecoming immensely, displaying his new clothes and manners. He is promptly mocked by one of his old playmates, who follows him twenty or so paces behind, calling out with exaggerated swagger “Don’t know yah, don’t know yah, upon my soul, don’t know yah!” It’s a wonderful scene because the only proper response would be to pummel the kid, but Pip can’t because he’s respectable now. So this boy plays the role of the noble fool, calling out the truth which no one else can see because they are too distracted by Pip’s fortune and manner.

Now, let’s get back to Rodney.

A week or so later, I was walking downtown, going to see some show or other, and I was dressed up a little. Not too much, but I was doing what I could, trying, I don’t know, to psych myself up into talking to people and not just grabbing a place to stand and watch inaudible TV sports in the bar mirror. Suddenly, Rodney materialized under a street light with an appreciative whistle.

“Whoo Whee! There she goes! And she looks good tonight! Hey there, pretty boy, how you doing?”

I’ve lived in some rough neighborhoods, and have learned to trust my intuition as to my safety, and I was sure Rodney was harmless, but what could I do? I was in the same boat as poor Pip! There wasn’t much to do but smile, and say “Hey Rodney, I am looking pretty good now that you mention it.” I walked down the street, letting the whistles echo.
So, I still get it, once or twice a month, a hollered “Hey Pretty Boy!” from across the street. I tried a few times for a “let’s get this over with” confrontation, but he’s just a wacky old guy, it would be like arguing with the wind. And I think about Pip, and what it means to be respectable, a gentleman, and how vulnerable to ridicule we are when we take ourselves too seriously.

So I decided I guess I can deal with Rodney.

“I feel pretty, oh so pretty….”


-guest contributor, John Steill

(photo credit: Carrie Thompson)

Oh Help Us...

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Welcome to the salubrious 520 blog, The Monday After. This is our attempt to blast through our Monday morning hangovers and offer up some quickie reviews of all the things we’re pretty sure we got into this past week, including gigs, concerts, movies, plays, and restaurants. Pop a couple of ibuprofens and enjoy.




Oh help us all. Why must there be two back-to-back months each and every calendar year where we go absolutely bonkers? With February comes SAD and the fear that we'll never see the sun or happiness ever again, and just when the damn orb finally comes out, spreads its warmth, and heralds the arrival of another beautiful spring, a twisted, peculiar, media-induced madness immediately sets in, keeping us just as crazy as before.

March Madness is here, folks. And there's nothing you can do about it.

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Yessir, ladies and genteman, it's that time of year again. The NCAA tourney brackets have been announced, the seeds have been sown, and that familiar feeling of nausea has set up camp in our stomachs. How to cure it? February's madness required Prozac. This month's insanity requires nothing but victory after sweet, blessed victory. This edition of The Monday After is therefore dedicated to both of our Tennessee basketball teams. Go kick some ass. (We promise, next week, we won't mention basketball. Even though we'll be thinking about it. A lot.)




And now for our weekly rankings!




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Friday night at the Backhills Café & Picking Parlor, the five-man James King Band mesmerized a very enthusiastic and attentive sold-out audience with kick-ass picking and songs that either had us choking back tears or whooping with joy. King himself was delightful as he told jokes (inspired by WDVX’s Freddie Smith, who kept the crowd entertained until the King band arrived), played numerous requests (even when his band was off-stage), and shared the stage with surprise special guest, C.F. Bailey, who, I swear, was channeling Jimmy Martin. Two days prior to this show, King’s mandolin player of over a decade required heart surgery, and in his place, Travers Chandler, a 26-year old mandolin Buddha, didn’t miss a beat with his high lonesome backup vocals and otherworldly, entranced, wicked fast solos.

Kudos also go to the owners and staff of the Backhills Café & Picking Parlor for providing a genuine listening room for performers and devoted fans. (5/5) -D.D.




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An affordable new restaurant serving breakfast, lunch and dinner has moved into our favorite downtown spot. It's got a stylish look and interesting flavor combinations that enticed me to visit twice in as many days. My picks: for breakfast try one of their five varieties of eggs benedict, for lunch the panini's are quite tasty and the $5.99 create your own salad option seemed to be popular, dinner runs the gamut from smoked pork loin to garden pasta to the "November All Year" roasted turkey plate. Trio also has a variety of coffee drinks, pastries and even serves up wine and cocktails. Though they've certainly set the bar high with so many menu options to keep up with, Trio's opening week proved them up to the task. (4/5) -D.M.




Boozing at the Biltmore (4brucebellies.jpg)


I've been going to the Biltmore Estate on a regular basis for many years, but I never get tired of walking through its halls and gardens. I haven't visited the winery in several years, however, since I've never been particularly turned on by the product. Now, I'm no wine expert, but I know enough to detect when a wine more closely resembles Mogen David than Brunello di Montalcino Riserva 2001! I've always been less than impressed with what I've tried at the Biltmore...until this weekend. We had some extra time, so we stopped into the tasting room at the Estate and sampled some of their new wines, and was I surprised? Things over at the Biltmore winery seem to have taken a pleasant turn. The new Celebration wine was great, as was the Sangiovese, the Red Century and the Cabernet Franc. Most were reasonably priced ($10-$20), so I filled my basket with some of their tasty new treats. Party at my house! (4/5) -S.S.




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There was no movie that I felt was worth eleven bucks this week. Instead, you get a story!


So on Sunday I was working at my other job at one of the Roundabout Theatres off-Broadway (in New York) as a member of the house staff. My job on Sunday was to man the elevator, and my chief duty was shipping all of the blue-hairs from the main lobby and box-office down two stories to the entrance to the theatre. (As all members of the house staff are wearing walkie talkies with ear pieces, the elevator man can be called to any floor to cart people to any level.) On one of my many times back to the first floor to round up the latest crop of grannies, I hear something very loud as I open the door back into the lobby.

It turns out Eric McCormack (from Will & Grace fame) had just gotten his ticket from the boxoffice window. As he was walking down the stairs (in lieu of the elevator) the boxoffice worker got on the walkie talkie --because we like to keep each other informed about the celebs in the house-- and said, "Eric McCormack is heading down the stairs with a bad mustache."

Dan, the janitor, doesn't speak much English. And I don't think he hears well, either. Sarah, the new House Manager, had decided recently that Dan needs a walkie talkie before the show so that he can be called to clean anything up (like an overflowing toilet) in case of a patron emergency.

Well, on Sunday, Daniel was in the main lobby right beside the door to the elevator, and right beside the stairs going down to the theatre. He had his walkie talkie out, with no ear pieces. At full volume. So as Eric McCormack was heading down the stairs with a bad mustache, Daniel's walkie talkie blasted, "ERIC MCCORMACK IS HEADING DOWN THE STAIRS WITH A BAD MUSTACHE."


We are no longer allowed to discuss patrons over our walkie talkies. (5/5) -J.B.






See you next week!

March 08, 2007

To the victor

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Congratulations to Tallulah on her win. A flower for ya ... Hey, drop me an e-mail some time --we can do a photoshoot! ;)

The Roundup in MP3 Glory!

The Roundup, our weekly up-to-no-good podcast, is now available in user-friendly mp3 format!

This week: Pat Summitt's legs, Zodiac, man-love, The Ultimate Survivor Contest, ASSASSINS, moon worship, and more! Check out the latest episode here.

Or subscribe using this RSS feed.

Or listen to the podcast over on our myspace site.

Yeehaw, K-town.

The Hush Sound

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Imagine taking the poppy goodness of Belle & Sebastian, stirring in alittle of The Beautiful South and adding a dash of the keyboard-based theatrics of The Dresden Dolls. The result would be something like The Hush Sound, currently on tour to promote their latest release, Like Vines. They'll make a stop here in Knoxville at the Bijou Theatre tomorrow night, March 9, for a 7 p.m. show.

This Chicago quartet displays a myriad of musical influences. Using floating waltzes, sugary pop ballads, whimsical harmonies and even the "oompah" of circus music, The Hush Sound's hummable songs take listeners on a little musical journey through sunshiny days and danceable nights.

Greta Salpeter's voice - almost adolescent in quality - dances softly around catchy phrases while her piano playing is bold and forceful. She trades lead vocal duty with guitarist, Bob Morris, who's conversational timbre nicely compliments Salpeter's dreamlike voice. He's also got a kick-ass falsetto, espeically on the song, "Where We Went Wrong".

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Salpeter and Morris are joined by Chris Faller on bass and Darren Wilson on drums to round out a band with the ability to shift directions multiple times within a single song as the singers weave fanciful tales of picnics, ghosts and lost love.

Although this week's show will mark The Hush Sound's debut appearance in Knoxville, they are no strangers to the world of performance. They have toured with Fallout Boy and Panic! At The Disco, as well as countless performances throughout the US and the UK. With credentials like that, The Hush Sound is beginning to make some major noise.

Get your tickets now to get your Spring off to a great start with this spritely band!

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Entropy always wins

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Backstage with Michael Kostroff

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I had an opportunity to interview Michael Kostroff this week. He has just been named as a regular cast member on the HBO hit series "The Wire". He'll be passing through Knoxville on March 9th for a book signing at Carpe Librum beginning at 6:30pm. I really think this will be an especially witty and interesting reading. Kostroff's book offers a unique, often hysterically funny, peek into the many highs and lows a struggling actor confronts.


Having wanted to be an actor "since I was in the womb", Kostroff
has never stopped pursuing his dream to be in a large scale musical
comedy.

"It took me until I was forty-one years old", Kostroff laughs,
"but finally I got a part in the touring company of Mel Brooks' comedy The
Producers. It was challenging because one day I'd be tap dancing, doing
the broadest comedy possible. Then, I'd get a call saying they wanted
me to fly out to do scenes for The Wire. I play this really tough, sleazy
lawyer who breaks all the rules in order to defend his drug dealer
clients. Sometimes I'd get this feeling I was about to break out into
song while I was doing a serious courtroom scene."

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Kostroff's honest book "Letters from Backstage" details the many different cities the touring company visited and all the interesting people he met. " People tell me it's just like being there," he says. "I get a lot of emails. People really enjoy knowing what goes on behind the scenes and in an actor's mind. I like making people laugh. I love comedy. There's something very gratifying about being on stage and hearing hundreds of people laughing." If Michael Kostroff is half as interesting as he was when I interviewed him, his appearance at Carpe Librum should be utterly delightful. I urge everyone to be sure not to miss this book-signing event. It is a great opportunity to meet a author whose celebrity is growing daily.


--guest contributor, Carole Ann Borges

March 06, 2007

Big Art Show

Holy crap! That's one....

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Knox Vegas Survivor Blog Contest

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WE HAVE A WINNER!
Well, folks, the polls have closed and the public has spoken. After a grueling, four-week long contest, the good people of Knoxville have determined Tallulah to be the winner of the grand prize.

Everyone did a phenomenal job and we'd like to thank all of you (bloggers and voters, alike) for participating!

Haven't had enough contests? Well, 520 is looking for folks to participate in our St. Patrick's Day Get Lucky Challenge! It's gonna be a one-time blog competition to see who has the most fun on Saturday, March 17th. Show your friends how great of a partier you are - and earn some cold, hard cash in the process! For more info about how to participate, click here.

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Feeling nostalgic already? Didn't catch the contest at all? All of the entries in our blog challenge are listed under each of the contestants' names are their individual entertainment exploits. Read 'em and weep.

maybe blog pic3.JPG "Dancing Queen" Entry 1, Entry 2, Entry 3, Entry 4, Entry 5, Entry 6 ADIEU, D.Q.!
mask.jpg "Thirteen" Entry 1, Entry 2, Entry 3, Entry 4, Entry 5, Entry 6, Entry 7, Entry 8, Entry 9, Entry 10, Entry 11, Entry 12, Entry 13, Entry 14, Entry 15, Entry 16, Entry 17, Entry 18, Entry 19, Entry 20, Entry 21, Entry 22, Entry 23, Entry 24,Entry 25, Entry 26
bush.jpg "Joe Vegas" Entry 1, Entry 2, Entry 3, Entry 4, Entry 5 SO LONG, JOE!
 strapsknox2.jpg "Strapping Young Lad" Entry 1, Entry 2, Entry 3, Entry 4, Entry 5, Entry 6, Entry 7, Entry 8, Entry 9, Entry 10
tat.jpg "Tahlulah" Entry 1, Entry 2, Entry 3, Entry 4, Entry 5, Entry 6, Entry 7, Entry 8, Entry 9, Entry 10

Down with the Man

Strange how Strapping Young Lad and I are on the same page at the same time, check out his latest if you haven’t yet? It’s a bit of a rant on distractions in this world we live in and how one copes with them. I was also struck with distractions and how we deal with them today after watching this really cool 2 min video clip on youtube showcasing the Light Criticism Project . This project reminds me of why I moved to K-town. Not the only reason, mind you, but a big one, reason #8 or so probably, to get away from excessive distractions, specifically all things homogenous, cookie-cutter, mass produced, and often times corporate. I came to these here hills known as Knoxville to get a breath of fresh air, and to be in a space where there was room to breathe.

One of my favorite things about K-town is the lack of ‘the man’ A.K.A. Corporate America. Granted he’s here, and granted he’s here more and more each year but compared to where I’m from, he’s a tiny whisper at best. We don’t have to do things like the Light Criticism Project in Knoxville because we JUST got our 2 way billboards, and real time highway notification systems. Plus we haven’t come close to the technology they are using in most major cities, nor the amount of advertising, and I love it. More importantly in K-town we have spaces like that wall by Pres. Pub in Market Square where people have just begun creating art, little by little, and it’s OK. Not that graffiti is legal here, I would assume it isn’t, but when most buildings aren’t tagged, and gang signs aren’t spread everywhere the police can be more lax about it I guess? Plus its unfinished ply wood, so it rather begs to be drawn on. Like the walls at my Dad’s house, when I was growing up. My Dad was refinishing the house, and painting the walls was going to be one of the last things, so we were allowed to write on them growing up, and write we did! ‘I love John Taylor’, ‘Duran Duran’, ‘and U2 Rocks’…

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I often describe K-town as the Wild West, if you can dream it, you can do it. It’s big enough to provide the resources one needs and yet small enough to not yet have been run over by all things monopolistic and corporate, especially in the music business. Think Ashley Capps with AC Entertainment. He went from digging music and booking bands at a bar to bringing us Sundown booking for most every major venue in the Southeast region, and all things . Then think Scott and Bernadette West; a local couple that has recently hit headlines, true. But, with out their vision and risk taking would we have World Grotto, Fiction, Tonic, and my favorite-- Blue Cats. And of course, last but not least, what of humble knoxville520.com itself, if that isn’t homegrown, I don’t know what is! And that’s really what I’m getting at here – seeing the beauty in things that are homegrown, original, unique, the things you can only get here. Sure Knoxville may not have a Hard Rock Café (Gatlinburg does), and we only have two malls, (although apparently no one south, I mean West, of 275 has ever heard of Knox Center Mall), we don’t have TicketMaster and we don’t have Clear Channel running every media outlet in the city, but what we do have is unique. You can’t go to Tomato Head anywhere but here, or Disc Exchange , or Bijou Theatre. By the way did you go see Umphree’s McGee On Friday March 2nd there? No where else can you see Ben Harper with the Sunsphere thing in the distance on the Lawn at World’s Fair Park
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I hear people gripping and moaning often enough, about there being no one here and nothing to do, and I think, huh? Sure there is a vacuum in K-town compared to Atlanta or NYC, but it’s a beautiful one! The vacuum means there is room for those here to breathe, to create, and to put into place the things we want. In many major cities people spend their time fighting what is there, (see video clip above if you haven’t yet watched it). But here in Knoxville we have the opportunity to create and build from the ground up! Think of the difference between painting a deep cranberry wall with several coats of white primer so you can then change the color versus painting the wall the color you want in the first place? Doesn’t option two, just feel good to your soul, soo much less effort goes into creating and building when you don’t have to tear down BEFORE you can even start.

So, people, be inspired! If there is something you feel K-town lacks then I encourage you to get off your heine and make it happen! John Mayer may be speaking for the rest of the rest of America when he says he is ‘waiting for the world to change’ but I’m not waiting. (Did you notice the graffiti connection again? Maybe I really need to finish designing the mural for the garage?) But Knoxville is full of people that think for themselves, people who don’t want to be just like everyone and everywhere else, which I love! Like Todd Steed describes my neighborhood,
"Thank God for North Knoxville
Where this town still looks like itself,
It's the last place in America
Ain't trying to be somewhere else"
—"North Knoxville," Todd Steed & Apelife

If you want to see change than you need to make it happen, and the only thing holding you back is you. There is an entire city for us to leave better than when we came and to enjoy while we’re here. And luckily we have so many brave souls to emulate that have already blazed the trail for us. All I’m saying is I love being here. And this living breathing city and those in it have captured my heart and mind and made me a better person for it.

March 05, 2007

Dancing Lessons

A friend kindly photographed me in action at a recent rapier practice.


Shall we dance?


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Anybody out there interested in learning to rapier fight? The SCA holds weekly rapier practices at a local park. Drop me a comment if you want to learn more.

License to Ill

rapier salute


Most of my Saturday was spent at Cumberland Mountain State Park, rapier fighting with swordsmen (and women) from as far away as Nashville. It was good stuff. I'm quite sore.

While there, I authorized in rapier and a few other weapon combinations. I can now legally compete at a tournament level. W00t!

That evening, after my inconclusive battle with Strapping Young Lad, I ended up at the home of a friend of a former, um, acquaintance, playing Dread Pirates!

Gothic glamazon

If you haven’t heard Leslie Woods and Dark Mountain Orchid, you’re missing out. If Radiohead listened a little more to the Cure, had a female singer and grew up in the mountains of North Carolina, you may have this interesting concoction of a band. However, that’s not an all-encompassing description, as there are similarities to Sixteen Horsepower, Nick Cave and the Bad Seeds, and early punk rock. The blend of sounds is strikingly unique. I’ve never heard anything like it.

And recently I got to interview Leslie…

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We’re at Nama, a place I had never been before, and it’s wall to wall packed. She’s a casual 15 minutes late for our interview, donning black and blue dyed hair, a leather jacket, a Suicide Girls t-shirt, and jeans. It was her idea to meet here, and she tells me right away that she eats there at least once a week, even sometimes by herself.

When we finally sit down at our table, we promptly begin talking music. She says she’s in a state of total disgust with modern rock. “It’s all so derivative,” she says. I’m not agreeing entirely, but I can’t say she’s not onto something.

“There needs to be another Nirvana,” she says, and my mouth almost drops to the floor. “The first time I heard Nirvana I was driving and I had to stop the car,” she adds. She says that day she told a friend she heard something that “actually had a guitar solo in the middle of the song.”

She’s right. Rock music has taken a strange, pretentious twist straying from its original form. This isn’t necessarily a bad thing, but there’s a real lack of true rock sound anymore and no one seems to be bringing it back. Despite the fact that Nirvana was incredibly derivative, at least they blended key sources. In this case, I agree with Leslie. We need another Nirvana.

As she clearly must have good taste in music (she likes Nirvana) I keep probing her, trying to figure out the answer to my original question. There’s mention of R.E.M.’s “Murmur”. There’s mention of Son Volt. These all came out during her lifetime (although her age is a mystery, like much else about her).

She says she grew up on the rock of the ‘70s, listing Eric Burdon and the Animals, Canned Heat, Dr. John and Tina Turner, an interesting blend that doesn’t seem to shine through in her music.

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What may be more of an influence is her Knoxville-upbringing. Leslie grew up in the Fort Sanders area (although it didn’t come up in conversation, her Myspace page says she refuses to tell people where she was born) and her father was a geology professor at UT. It doesn’t get more Knoxville than that.

Interestingly, Leslie tells me about the last record store on the Strip (located on Seventeenth, she believes) owned by a man she simply refers to as “Mike.”

She also tells me about her brief stint at the University of Tennessee. She constructed sort of her own Appalachian Studies major, which was short-lived due to the death of a professor who helped her get started. I can’t help but wonder if her Appalachian Studies managed to influence the more traditional, southern part of her sound.

Finally, after all of this casual conversation, my first real question I had planned to ask her comes up and I inquire about her influences, completely unaware at this point that she’s already been listing them. She looks at me funny and pauses for a moment (like they all do) before giving me the most unique answer I’ve ever heard—“I’m influenced by people more than I am bands.”

No musicians can accurately explain what bands they’re influenced by. Most of the time when they’re asked, they just look at you slightly confused, as if they’ve never really thought about it before despite the fact that it’s probably the most classic question to ever ask a rock band.

There may have been a day when the question was easier to answer. Maybe with the shifts in rock music since the early ‘70s, the question has become obsolete. But there has to be some form of answer.

She says her parents taught her to play, and music has been a familial thing for her. She says she wants to pass to her kids what was passed on to her, and the reason she wanted to learn music was to teach her children (of which she has two).

Her self-taught manner is evident in her songs. The most striking part of her music is the odd progressions (without a hint of pretentiousness or signs of being oblivious to music theory) with the intricate, fluctuating vocal lines. The band (consisting of two electric guitars, drums, an upright bass, and the occasional banjo and mandolin) comes up with their parts accordingly. “I trust them,” she says. “They’re the masters of their instruments, not me.”

She says she once asked Terry Hill (now a guitarist in her band) to teach her guitar, which he refused, saying she would be better off if she didn’t know what she was doing. Leslie plays what sounds good to her, not what she has been taught will sound good, which is a refreshing outlook on songwriting. It’s more genuine than throwing together a few chords in a progression that perfectly abides by music theory. There’s more feeling involved.

Leslie’s band is popular here in town, but she tells me that their albums (made into one double-disc set by their label, Glitterhouse Records) is big in Germany and Denmark. I ask why and she tells me it’s because people in Europe try to find the most obscure band. It’s a competition to see who can find what first. Sounds like Europe is full of indie-rock kids.

Despite their popularity, Leslie tells me they have a hard time fitting a bill with another band due to differing crowds. They’ve played with Creech Holler, and have upcoming shows with them. However, she tells me that some of their best crowd responses have been when they opened for theatre troupes or burlesque shows.

And speaking of live shows, last year Leslie had the opportunity of a lifetime when her band was asked to play Bonnaroo. “It was all very last minute,” she says. The band played at 2 p.m. the last day for a “big, somewhat enthused” crowd. She says she was the only goth at Bonnaroo, which would make sense—not many people are wearing all black and leather in Middle Tennessee when it’s 98 with a heat index of 110.

Although they haven’t been playing much recently, she talks of upcoming shows, so keep an eye out—it’s something worth seeing.

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Live at Bonnaroo

(photo credits: Bill Henderson, Carrie Thompson)

Et tu?

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Fear not, fair 520! This looks like a job for Strapping Young Lad!


Well, I am a little behind in my entries as of late, but I had many obstacles to face in the last few days. Being a courageous defender of hope, justice, and the Knoxville way pits many adversaries in my way. Fending off these baddy bads sometimes eats up my schedule. I hope you haven’t missed me.

Wednesday night I was never aware that one of my long time allies was going to betray me. Companion to me on many a fair evening, a tender and saucy friend stealthily poisoned me. One single, luke warm buffalo wing I had slid down my gullet began the process that would eventually bring me to my knees come Thursday evening. It was a terribly gory affair that involves things best left undescribed. How one of my most trusted comfort foods could stoop so low, it was betrayal at it’s spiciest. It was well into the wee hours of Friday morning before I stopped howling ‘et tu, chicken wing?” into the toilet.

Luckily I had managed to gather most of my strength come night fall. Using my identity as blackmail, the infamous Thirteen had called me out. So in true superhero/villain style we met at midnight, high above the metro-Knoxville streets. Unfortunately, K-town seems to have only two buildings close to being skyscrapers. It was awkward at first as I stood on top of the BB&T building, craning my super ears to hear the nefarious Thirteen yell his evil plot from the acme of the First Tennessee. We quickly semaphored an agreement to meet halfway. So in the covered pedestrian bridge, tens of feet above Main Street, we finally met face to face. My nemesis at last before me, clad in a form fitting black on black ensemble complete with mask and sword, left but one lingering thought in my head. Man, those cats in the SCA sure can sew a mean costume. I was starting to feel a little showed up in my bath towel cape and underoos.
“So we finally meet, Thirteen” I said.
“Indeed, Young Lad. It will be an honor to bring the high and mighty Straps to his DOOM!!! AHHAHAHAHAHAHAHAHAHA!” the dark one cackled.

Then like for the next thirty minutes or so, dude starts going into how he’s got this big ole plan for ruling the world. I mean, it was interesting for a minute, but then he’s all ‘death beams’, blah blah, ‘evil army of do-ers’, blah blah, showing me pictures of his ‘mind control quiche’, re-enactments involving action figures, flow charts...

Finally, I was just like, “Dude, it’s the middle of the night and I am standing downtown in my underwear, freezing my f@#$ing little lads off. Let’s do dis already.”

And it was off to the races. Bam, slam, kapowey, zoing, zip, zap, slap, say I won’t, gitcher filthy paws offa, eat this, try that, how ya like me now, et cetera, until a standstill felt inevitable. As the moonlight basked down upon our battered and bloody bodies, I suddenly could feel the strength of hundreds of Knoxville scensters swell up in me, the taste of Miller High Life in my sweat, the faint echos of Umphrey's McGee’s coming from the Bijou playing in my ears, throngs of smiling happy people out at the bars and I could see each and every one of their sloppy grinned faces. “NOT IN MY TOWN, BUDDY” I bellowed as I wiped a trickle of crimson from the corner of my mouth.

Then, because we had previously agreed to keep everything PG-13, I chucked him off of something high onto something pointy. Funny thing is, apparently Thirteen is all sorts of into full spinal piercing. He just totally pulls himself off of this rusty piece of re-bar and pops in a super-duper gauge stainless steel barbell. Oh, we just laughed and laughed. Then we went and got waffles. Man, I like waffles.

At least that’s how I recall how Friday went down. Mind you, I did keep intermittently blacking out and then finding myself on my couch sweating out a food poison induced fever. My memory of the events could be a little suspect, to say the least.

With all nasty bouts with bacteria coming to a close come Saturday, I finally did get to be a superhero of sorts. Saturday evening I was honored and privileged to be an honorary member of The Bearded for the night. Even though I only managed to get up two day’s growth on my chin before the show, the wonderful fellows in the band still let me up on stage with them for a great show at the Laurel Theater. It was part of the ongoing concerts put on by Jubilee Community Arts and it was a humdinger to be sure. The band was hot, the crowd was awesome, and even local harmonica legend Mike Crawley got up on stage for a kickin rendition of "If I Should Fall From the Grace of God". I highly recommend catching these gentlemen some time if you haven’t already, and not just because I'm on their washboard sub-list. They got all your old time fun lovin jug bandy goodness joneses covered.

TONIGHT'S PICKS: I can't get enough Portuguese, so I guess I need to get down to the Preservation Pub tonight for the Nova Delinquents.

Until the next episode, true believers,
This is Strapping Young Lad, over and out.

p.s. All in good fun, Thirteen.

Eye candy, anyone?

Unfriezon


From a photographer's perspective, the Preservation Pub on Market Square is always worth a visit. Good ambiance. Lotsa eye candy. You can also run into interesting people like Beauvais Lyons, curator of the Hokes Archive. Brilliant man. Ask him about centaurs.


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Of course, spend too much time at the pub and you end up making 2 a.m. trips to Kroger to soothe the munchies.


Cinnamon Toast


Or you can just cheat and make cinnamon toast.

Coaches of the Tennesseans 2: Dread Man-Chest

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Welcome to the salubrious 520 blog, The Monday After. This is our attempt to blast through our Monday morning hangovers and offer up some quickie reviews of all the things we’re pretty sure we got into this past week, including gigs, concerts, movies, plays, and restaurants. Pop a couple of ibuprofens and enjoy.

If you missed last week's instant-classic match-up between Tennessee and Florida at Thompson-Boling, then you missed quite possibly the latest sure-fire sign of the impending Armageddon. Pat Summitt, the ruthlessly uncharming coach of the Lady Vols, made good on her promise to one-up Bruce Pearl's naked cheering at the Lady Vol vs. Duke game in January. While no one was wanting her to repeat Bruce's antics, no one was quite sure just how she was going to make as big of a splash as Bruce did. But Pat Summitt can always find a way. By trading her sensible pantsuit in for a polyester mini, climbing on top of her assistant coaches during the game's first timeout, and flashing her lacy knickers to a national television audience while leading a cheer atop a pyramid of nubile co-eds, Pat Summitt showed that she is 1) crazy about basketball, 2) crazy about Bruce Pearl, and 3) crazy.

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(Okay, so the lacy knickers were actually white biker shorts, but you know that there was at least one lonely Lady Vol fan out there watching the game and enjoying it for all the wrong reasons.) Bruce Pearl was reportedly tickled pink at Summitt's antics, and declared in front of the crowd that Pat was now his, quote, "BFF for life." Bruce's previous "Best Friend Forever" was also in attendance at the star-studded game: UT's Greatest Pumpkin, Phil Fulmer. Simmering with envy over Pat's routine, and determined to win back Bruce's attention, the not-to-be-out-done Fulmer has reportedly now pledged to lead the UT Dance Team in an interpretation of "Buttons" by The Pussycat Dolls at the next men's home game.


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And now for our weekly rankings!




Umphrey's McGee at the Bijou (5phils.jpg)


This past Friday at the Bijou was one of first truly memorable nights for me in 2007. The sold out theatre had never felt better as Umphrey's circus of progressive rock took form over 2 long sets. Special guest Jeff Coffin of Bela Fleck and the Flecktones made his second Knoxville appearance in as many days and then a third as he and Kris Meyers (drums) walked down the street to sit in with The Mitch Rutman Group at the Downtown Grill and Brewery. Needless to say it was 2 a.m. before I knew it. The Umphrey's crowd has tripled in the last three years and Friday they proved they deserve it with a captivating show in our city's greatest sounding room. (5/5) -D.M.




Animaniacs on DVD (5phils.jpg)


I'm 32 years old and I still love cartoons. Sick? Maybe. Do I care? Nope. There's hardly anything better than waking up extra early on Saturday morning, curling up on the couch with a bowl of cereal and a cup of coffee, and spending some quality time in the animated world. I must admit, though, that in recent years, cartoons have become less amusing and more like soap operas - especially the ones aimed at young girls ( BRATZ, Sabrina, etc.). I guess that's why I was so excited to learn that the old Animaniacs series has been released on DVD. Now there's a cartoon! Much like "Warner Bros. meets the Marx Bros.", Animaniacs sends up stock gags like falling anvils, suspension in mid-air, and bulging eyeballs accompanied by the "ah-OOO-ga" sound with clever dialogue and modern (well, 1990's) political references. I forked over a not-so-small chunk of change to add my long-lost animated friends to my home collection, and was it worth it? It made me so happy, you could practically see my Valentine-shaped heart pounding in my chest! (5/5) -S.S.




Zodiac (3phils.jpg)


The tagline of Zodiac pretty much sums up the entire movie: "There's more than one way to lose your life to a killer." There's also more than one film I'd rather give three hours of my life to that I'll never get back, namely any of The Lord of the Ring films. Not to say that Zodiac is a bad film. It's a rather good film, but the way it drives home its message is to make you feel as exasperated and derailed as the detectives trying to solve the impossible-to-solve mystery of the Zodiac killings. Perhaps I could have enjoyed the subtleties of the long, winding plot more had there not been an

Asshole Sending Text Messages in the Movie Theater (1phils.jpg)


Are you kidding me? Are you THAT important? Is your attention span THAT effed up? I gave the guy the benefit of the doubt for the first thirty minutes of the film, but when I saw him switch on his phone's INTERNET BROWSER, I lost my cool.

Anyway, see the film when you've got a huge chunk of time to kill. Gyllenhaal flounders a bit in his big-boy role, but Mark Ruffalo and Robert Downey, Jr. are worth the price of admission. (3/5) -J.B.




Lunar Eclipse (5phils.jpg)


There is a quote from Buddha that says, "Three things cannot long be hidden: the sun, the moon, and the truth." Well, the truth is, Saturday night's lunar eclipse was something else to behold. Maybe I'm a little geeky, but seeing the full moon obscured by the Earth's moving shadow was simply enchanting, and although folks in Europe and Africa had the best views, East Tennessee had a pretty good view of things, too. It lasted a few hours, and with the chilly wind blowing around outside, my moongazing out in the back yard didn't last too long. But it was enough to remind me how amazing these kinds of natural events are, and how interesting astronomy can be. If you missed the eclipse, your next chance to see one is sometime in late August. Encourage your geeky side, and check it out! (5/5) -B.T.






Practice safe texting and see you next week!

March 02, 2007

Lex Luthor moment

Super Guys

Being a superhero has always been one of my more childlike fantasies, but I reckon a career as a supervillian suits me better --after all, I've got the hair for it.

As proof of my villianious deviousness, I've uncovered the secret identity of Strapping Young Lad! No, I'm not going to tell you the name of his mild-mannered alter ego. That would ruin my delighfully fiendish plan.

Actually, Young Straps volunteered the information in an inadvertant e-mail. We're both members of a local martial arts mailing list that he spammed with a plea for votes. My reply, of course, was that he'd have to be a lot more convincing to get my vote! ;)

I did rein in my villainous nature enough to not "reply all" and inform his readers that Straps had made a technical mistake and that all ballots should be marked "Thirteen". But it was a fun thought, nonetheless.

Now, to implement my brilliant plan of world domination!
Bwahahahahaha!

March 01, 2007

Muchas gracias!

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The Roundup, 3/1!

If you haven't listened to The Roundup, then you haven't had Joe Beuerlein inappropriately tickle your "funny" bone. It feels real good, so listen to it, would ya?

On this week's episode: Ladysmith Black Mambazo, Yonder Mountain String Band, Sanda Allyson, Cocktails at the KMA, Al Gore, boobies, and more!

Listen to it here.

Subscribe to it here.

Funny monkey

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Greetings 520, Strapping Young Lad here, thanks for having me.

I am an easily amused sort of fellow. This has come as a blessing to me many times in my life, especially at times and places of prolonged waiting (doctors’ offices, department of vehicles, principal’s lobby, corner of North Shore and Kingston Pike). I believe it is one of the more treasured traits that somehow my blood line preserved over the last hundreds of thousands of years of evolution. Ever seen a bored chimp? Me neither.

Fortunately, my genetic make up has naturally selected to replace eating nits off my brothers back and flinging poop with reading the funny pages and doing sudokus (to be fair, though, I have never really given the first two a chance and my brothers back hair infestation could use some attention). The art of distraction has evolved faster than any other human want. We have taken the idea of smooth pebbles and interestingly shaped sticks and expounded on them million fold. We have the internet, tabloids, radio, satellites, cable, cell phones, even good old fashioned papers and magazines providing us with more wonderful, useless, fluffy information than we could ever consume in ten lifetimes. All of which leaves us quite the gaggle of confused monkeys when we try to decide what to be distracted by and what to be distracted from.

Pop star shows off vertical grin or people trying to cure cancer? Teen actor shows off his hairy potter on stage in London or ice caps getting worrisomely thin? Texas stripper buys boobs and gets them published in national boob magazine, the boobs get a sudden rise to fame and they marry a billionaire corpse, boobs start to lose popularity, boobs hit the Ben & Jerry’s and get a reality show, boobs shed the pounds with a cocktail of over the counter diet crank mixed with antidepressants, boobs barely stand up at an award presentation, boobs get in decade long legal fight for billionaire corpses money, boobs have daughter, boobs lose son, boobs die leaving the boobs genetic material donors to duke it out with every man who had ever played with the boobs over what to do with the boobs, judge cries as medical examiner calls in to say “um, we need to do something about the boobs, they are starting to ‘turn’”, but oh what is to happen to the boobies’ poor motherless million dollar baby? or the ever growing amount of not rich children that are losing their mommies and daddies to a couple of wars that have been going on for quite some time now. So many choices.

It’s like we are magpies thrown into a room full of broken mirrors. We all just strut around trying to decide which piece of shiny glass we want to take. They all look so pretty.

Now, I am not shaking my finger from an ivory tower, mind you. We need distractions, for example like this here blog, because we need to care about things that don’t need caring about. We’d go crazy with out this stuff. It’s just odd, is all, when you take that step back and decided what you want to and don’t want to give a fart about. I was thrilled when the AP made an announcement that they would stop caring about a certain talentless hotel empire heiress. I smuggly agreed with myself that there were more important things to read about. I mean, holy hot buttered dammit, there is a new Star Trek movie in the works.

Well, I have ranted long enough. Point is, being a funny monkey ain’t such a bad thing.

Now, as for current distractions:

Tonight’s Picks: Brent Thompson & His Wandering Circus at the Preservation Pub. Those guys can keep my simian entertainment desires in check.

And as always, stay beautiful Knoxville.

Strapping -ooh what was that?-Young Lad

Fundamental elements

Heeow – these warm sunshiny days have got me feeling that spring time joy. Have you noticed the bushes are budding? It’s not even March, and there are little leaves sprouting their sweet light green-ness throughout the woods.

Happy Spring my fellow k-towners, it comes quickly round here.

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I just got an email that tops the entire ‘spring is coming’ vibe off to a T. Fundamental Elements will be back in K-town this Thursday, March 2. They will be at Barley’s in the Old City, and you so need to be there. These guys have a groove that could get your 90 year old Papaw bopping his head. You just can’t help it with FE. Their self professed sound is “100% Original Blue Eyed Soul” which I’ll go along with but it’s only hitting part of their sound. These guys are such a unique mix, kinda like Digable Planets for the 21st century (pretend they aren’t back together, their new sound isn’t ‘new’). Not that they sound the same, but their sound is so unique compared to what’s out there like The Goats, or Pharcyde were (check out Passin Me By for a blast from the past) back in the day. FE has an original sound mixing acoustic instruments and turn tables. Their sound is like hip hop meets be bop, colliding with soul and then pummeling down Rock n Roll Mountain. These guys have so much energy at their shows it quickly infects the crowd and they begin dancing, even during their few slow jams.


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I first got hip to them when they opened for Dishwater Blonde at the World Grotto last year I guess it was? I’d heard buzz about them, so I went early to see if it was hype or legit, and was pleasantly surprised. A few minutes after I walked in the door I had a digital camcorder put in my hand by Russ, the lead singer and proceeded to record the show for them and I’ve been following them ever since. Now I’m just waiting for Untied to be played on 90.3 The Rock? It needs to be, and I bet it will be very soon. Do yourself a favor a listen to it here, and tell me if it doesn’t beg to be blasted from a car cruising down an East Tennessee road under a big sunny sky? Their latest CD is a sound track for a great summer day – pure joy with some pep in your step. Do yourself another favor and come out to the show on Thursday; you’ll be glad you did!

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Cradle's walls talk

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Gone are the days of First Friday festivities being confined into a few blocks of space; the city-wide wave of interest has led to several new art groups in Knoxville and they do far more than one show a month. On Tuesday night, I was invited to stop by the Mary Boyce Temple House, located at 623 West Hill Avenue, right across from Church Street United Methodist. The house is newly owned by one of Cradle art group's members, Brian Pittman. He is opening his home not only to give the public a glimpse of the remodeling process of this historic building, but to see what Cradle has in store as well. The collective is planning to host many art events in the future, including miniature film festivals, public workshops, and eventually a juried art show, says member Brandon Rogers.


This show's feature artist is Jason Oaks. His work creates a painfully honest storybook with its pages out of order, yet his childlike phantasmagoria leaves room for interpretation. This is a very special night because Cradle will be celebrating its one year anniversary. Also showing is Brian Pittman, Brandon Rogers, Katherine Mertz, Rachel Travis, Carrie Walker and Sarah Grace Long. Stray from the printed tour path a bit and be part of this unique art viewing experience.

Cradle Art Group presents These Walls Can Talk.
This Friday 2 March, during the First Friday events from 6-10 pm.
You may contact cradleartgroup@gmail.com for more information.

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