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September 2006

September 28, 2006

The Unique History of the Barter Theatre

Within the theatre community, the Barter Theatre of Abingdon, Virginia is legendary. Not only for their top-quality productions, but also for the unique way the theatre came into existence back in 1933.

During the Depression, most of the theatres throughout the country were shut down--partly because audiences couldn't afford to spend money on plays and partly because of the notion that it was somehow indecent to enjoy oneself during such difficult times.

One enterprising young actor from Abingdon, VA thought of a way around at least the financial hurdle of producing theatre. He allowed audiences to gain admission to his theatre in exchange for produce, dairy products and livestock. The price to see a play was 40 cents or the equivalent in goods. People in the area were elated by the chance to escape the challenges of daily life with a visit to the theatre and being able to barter goods for admission made the momentary escape possible. The theatre soon became known as The Barter Theatre.

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Since the company had little chance of making actual money, they were forced to share a building with the town jail--which was situated directly beneath the stage. The noise from the cells combined with the noise from livestock made for fairly raucous performances!

Now one of the nation's oldest professional theatres, the Barter weathered the Depression and found financial success, although they do celebrate their beginnings by offering one performance per year that only requires a donation of food as an admission charge, which is then donated to charity.

The touring arm of the Barter Theatre will be making a stop in Knoxville on Sunday, October 1st with their original musical production, MAN OF CONSTANT SORROW: THE SONGS & STORY OF THE STANLEY BROTHERS.

The show tells of bluegrass legends, The Stanley Brothers, and their journey from their Appalachian mountain roots to record deals and onto stardom. Songs featured in the production include "How Mountain Girls Can Love", "I'll Fly Away" and "Rank Stranger". MAN OF CONSTANT SORROW has played to sold-out audiences at the Barter Theatre itself, and also on tour.

In true Barter Theatre fashion, part of the proceeds from their Tennessee Theatre shows will be donated to Volunteer Ministry Center.

For tickets, contact the Tennessee Theatre or call (865)864-1200.

And We'll Go Honky Tonkin'

The 4th Annual Hank Days
celebration of Hank Williams, Sr.’s music in the Old City includes a stellar line-up of live music and interesting events, including, but not limited to, the showing of video television clips of the late great Hank, “I’m So Lonesome I Could Cry” speed dating, a country music walking tour, and numerous contests.

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Hank Days 2006 coordinator Jacqui (Alexander) Wadsworth reports that Knoxville’s Hank Days’ festivals have always been fundraisers, and this year, like last year, this event will support the Terry Hill Children’s Traditional Music Fund. Terry Hill was a local guitar god who passed away on November 1, 2002. The proceeds from Hank Days will support scholarships available to children and teenagers who are interested in learning to play the guitar.

Admission to Hank Days is $10.00 and includes admission to all venues. For participants in Saturday night’s Singer/Songwriter contest, admission is $5.00.

See the schedule below for all of the exciting events planned for this 2-day festival:

SATURDAY, SEPTEMBER 30
Admission $10.00 general/$5.00 if participating in Singer/Songwriter Contest

7:00 p.m. Opening Ceremony & Jambalaya Contest @ Urban Bar (porch, weather permitting)

Hank Sr. Impersonator, Joe Wampler, traveling to all venues thru the night

7:00 p.m.- 8:30 p.m. TV footage of Hank, Sr. @ Pilot Light

7:00 p.m. Labron Lazenby @ Pat Sullivan’s

7:30 p.m. – 9:30 p.m. Singer/Songwriter Contest (original songs only) @ Urban Bar
PRIZES!
$50 gift certificate from Pick ‘N Grin
MP3 posting with Photo & contact info on Hank Days Website
Guest Appearance on Writer’s Block on WDVX

8:00 p.m. Jacqui & The Tumblekings @ Manhattan’s

8:30 p.m. – 9:45 p.m. Beecher O’Quinn, Jr.: Q & A re: Hank postage stamp @ Pilot Light

9:30 p.m. Lonesome Coyotes @ Pat Sullivan’s

9:30 p.m. – 11:00 p.m. Classic Country Karaoke & "I'm So Lonesome I Could Cry" Speed Dating @ Urban Bar

10:00 p.m. Hank Alike Contest (embodiment of the man--not just a look-a-like!) @ Manhattan’s

10:00 p.m. Carl Snow Band @ Pilot Light

10:30 p.m. Todd Steed & Sons of Phere @ Manhattan’s

11:00 p.m. R.B. Morris & Hector Qirko Band @ Urban Bar

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11:00 p.m. John Paul Keith @ Pat Sullivan’s

11:30 p.m. Leslie Woods & Dark Mt. Orchid @ Pilot Light

12:30 p.m. Rob Russell & the Sore Losers @ Pat Sullivan’s

1:00 a.m. Medford’s Black Record Collection @ Pilot Light

SUNDAY, OCTOBER 1 (all events at Pat Sullivan’s, 3rd Floor)

1:00 p.m. Luke the Drifter Gospel Sing Along: $5.00 love offering

“Cradle of Country Music” Walking Tour with host Shane Rhyne

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Performers: Steve Horton & Company, Leslie Woods, Jacqui Alexander Wadsworth

Speakers: Jack Rentfro, Beecher O’Quinn, Jr. & Shane Rhyne

7:00 p.m. 5Twins (indie/punk/80’s new wave): $8.00 cover

September 26, 2006

The Actors Co-op Gorey Ball!

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The upcoming Actors Co-op fundraiser at the World Grotto took its inspiration from one of the creepiest, coolest authors ever: Edward Gorey.

The idea is to come to the Oct. 14th Gorey Ball dressed as a character from one of Edward Gorey's books. To help you along, here's a list of a few books that will help you put together a dark costume for this macabre (but worthwhile) event:

Amphigorey
The Gashlycrumb Tinies
Cautionary Tales for Children
The Doubtful Guest

Call (865)909-9300 for more information or costume ideas.

September 25, 2006

If I were a rock star...

(Reflections on the raw & naked art of Citizen Cope at Blue Cats, 2005)

It’s at least half way through the show and I’m swept up with the rest of the crowd lost deep in the music when my mind is suddenly jarred back into reality as this guy leans over and asks, “Who is this playing?” And I’m thinking, ‘what - you must be the only person in here that doesn’t know who this is, or you are looking for an easy way to break the ice?’ I give him the benefit of doubt and tell him it is Citizen Cope, while continuing to bop my head and sway to the beats in unison with everyone, mesmerized. Turns out Chuck and his friend Casey are from Portland, Oregon road trippin’ for the summer, they will end up in Orlando eventually. However, tonight they happened to be here at Blue Cats. I asked a couple times how they knew this was the place to be and never quite got the answer? And while it may seem like a random meeting at a random show, I don’t think it was. The air was literally dripping with ‘there are no coincidences in life’, with the awareness that it’s in these moments which things that are so much greater than us; like hope and love, thrive and grow in, and that everything happens for a reason. I think we often shut these moments down, put them in boxes and only let them out to play during feel-good movies, church, and fairy tales. We don’t let things like hope and love out to play nearly enough and we don’t let them lead us where they would have us go. There is so much of life that goes unnoticed by most, Citizen Cope notices though and cultivates these moments for others to enjoy and experience.

Earlier in the evening, I felt a presence next to me; you know how you can tell when someone is looking at you at a stop light? Sure enough it was him, Clarence Greenwood AKA Citizen Cope, out in the crowd checking the acoustics of the room. I watched him head to the boards and the lights started tripping out as he sampled their flexibility. The crowd immediately started hollerin’ (we are in Knoxville after all, besides there’s nothing wrong with hollerin’) because they think he’s about to begin the show. Little do they know he’s behind them, checking out the details, and I’m struck with what that says about him as a person and as a musician? How much he truly cares about what he’s doing, truly cares about his music and the entire experience of his live show. And it wasn’t that he was late to sound check, he had been early, this was just icing on the cake. I smiled, already impressed, and he hadn’t even played a note.

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Clarence Greenwood (a.k.a Citizen Cope)


Ohhh and once he did! This vibe swept through the club catching all of us. It was like when you’re walking to the beach or up a mountain and at some point the breeze just hits you and it’s different. It’s not just another breeze, it’s top-of-the-mountain or fresh-from-the-sea breeze. It’s the kind of breeze that if corporate America got a hold of it, it would have a bottle of its own and a marketing campaign to go with it. “Fresh from the top of the mountain breeze” or whatever, point is this wasn’t just another band doing another show, this was something rare. The live show is always such a true barometer of talent and if you’re not on top of your game you can’t fake it. Citizen Cope didn’t fake anything.

From the get-go he kept us guessing, fusing rhythms and lyrical styles creating hypnotic hybrids; from chill acoustic, to rocking hip-hop, smooth reggae, rough Mississippi delta blues, and beatnik poet meets Latin dancer. Each song was an original, each one a work of art unto itself. The live mix was awesome, especially the bass, props go to their sound engineer. He mixed it with a strong deep thump but not so much that your internal organs vibrated with every note. And the weaving of each instrument with the other … it was seamless, intricately arranged, and played with love and genuine talent. You could tell the band was enjoying performing and letting the moment lead them. This show was alive, not some pre-packaged-cookie-cutter-mass-produced-minimal-effort thing. There is this rawness in Copes’ style, an authenticity, no holds bared, pure nakedness, and it draws you in like water to a sponge.

His fans were just shy of unbelievable, seriously, they were so into the show, it was hard to believe? If I hadn’t seen it with my own eyes I wouldn’t have believed it. So please don’t take my word for it, go see them for yourself. And it wasn’t some teeny-bopper boy band thing with girls screaming either, there were just as many guys singing along. It reminded me of watching Sesame Street back in pre-school when a good song would come on, like the alphabet. And all of us would jump up and start singing and dancing with that reckless abandon we have at 3 and seem to loose over time. And before you cynics think it was only because everyone was drunk, there was no stumbling drinking going on, well there was one stumbling drunk, but she wasn’t singing. No, these fans were singing because they knew every word of every song, and they resonated with them. They were singing from the heart. They were there to participate, not just as a change of scenery for their evening drinking. We had some help of course from Cope, he would pause during each song, at just the right moment, and give us a chance to wail, rhyme, or chant the lyrics for him, including us in the mix and giving us the chance to be part of the show. Giving us a chance to be part of something bigger than our selves, a chance to breathe that fresh breeze in and blow it out. Which is why I was so surprised when Chuck asked me who was playing? There wasn’t a person in there that wasn’t completely engaged with the show.

There was this one song in particular, “Hurricane Waters” and when Cope gave us the chance to sing, “I will carry you through the hurricane waters and I’ll remember you in the blue sky” I got one of those goose bumps all over type spiritual – wow – moments, singing along with a few hundred others. Something in that exchange of us singing with Cope transcended this plane of here and now. Something opened up and all that each of us were wrestling with at that moment was broken, every thought and problem - broken. And in that breaking, the music moves you out of your reality and into something else. Like we were all balancing on the edge of a cliff-hanger that they usually take you to commercial with. Except Cope bucked the system, and we never went to commercial. He didn’t go for that box, he stayed in the moment letting hope work through us, and we sang right through … a few times. It was during this song that Chuck and Casey caught the breeze and were swept up like the rest of us. First they were boppin’ their heads, then the rest of their bodies, soon after they were belting out the chorus too. Before the show was over Casey was getting a CD and waited in line to have Cope sign it, music to get them up 81. They were taking a detour to VA, why they stopped in Knoxville I’m still not sure? Except, that whole there are no coincidences thing came together as we talked after the show. We all needed our faith restored in humanity. And I needed to see that there are still a few people who can let go enough to leave their day-to-day lives and travel across the country for a whole summer going where the wind blows.

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Citizen Cope’s music has this haunting aspect in that he’s in touch with this ache that we all have, that we all know and understand. There is a dichotomy to his songs, enchanting you as reality soaks in. Cope is an amazing musician; he reaches into the spirit of each song to weave the music and lyrics together, breathing life into it. In “Sideways” he’s singing about this feeling that won’t leave, and if you’ve ever been in love or thought you have been, it takes you right back there again. While you are in this place of heart ache the music is swelling like a wave as it glides towards you. The guitar he’s playing is like the sound of those millions of shimmering lights on the surface of the wave where the sun and the water meet, leaving you with a sense of peace. As the song crescendos you are hit with the memory of a broken heart but now you’re reliving it surrounded by shimmering lights, and a dope bass line. Listening to “Sideways”, you are aware of the fact that you are aching, but at the same time, that ache doesn’t necessarily have to be your sole reality. I mean you can be sick aching and still be full of joy, and that’s the magic of Cope’s music, he breathes hope into the reality of life.

So it’s been a few days and his music still travels with me, from home, to work, to car. I’d only heard one song before this show, “Son’s Gonna Rise” and couldn’t even wait until after work the next day to get the CD. “Bullet and a Target” is my favorite of the moment, and I’m still blown away by the fresh from the mountain breeze that I witnessed when I saw them live. It got me thinking though, that if I were a rock star I’d want to be Citizen Cope. I’d want fans that zealously sing, and want to engage with me, want to be part of something bigger than them selves. Fans that come to savor that live ‘never know what you’ll get’ experience. I’d want to have the courage and freedom to create deep from my heart and have it be received with enthusiasm. I’d want to create in a style that is pure, original, and genuine, completely authentic to me and not what a label exec says is ‘hot’ at the moment. And I’d want to have the skills to play and arrange multiple instruments, to write meaningful lyrics that I deliver with an original flow, style and rhythm all my own. And so, if I were a rock star I’d want to be Citizen Cope.

Oh, and Chuck and Casey, wherever you are, happy trails…

(Citizen Cope appears at the Bijou Theatre on Sept 27th. Tickets still available here.)

--Gretchen Paxton has been working in the music biz since she was 15 and has been a fan since she could hear. She is also a writer and an activist.

Retrospective Dos

When the world seems to shine like you've had too much wine

One thing you will most likely never find in any town north of the Ohio River is a flower-man. Knoxville has a flower man, also known as Taylor. Not one night out on the town in either Market Square or Old City will go without the pleasant whiff of Taylor’s bouquet of roses. His roses come in all colors, scents and sizes and wander around prettily throughout the night as romantics and drunks alike purchase them.
Even towns that have a “flower man,” are not experiencing the same special openness, wisdom and essential friendship that can be found by knowing Taylor the flower man. Nights out since I’ve left Knoxville are not the same.

I’ve wondered many times what Knoxville is like through Taylor’s eyes, simply because he sees everything. He has witnessed virtually every nightly courtship, brawl and performance. I can’t even imagine the simple wisdom that might come from such intense observation.

I once asked Taylor if I could take a picture with him, and he politically declined due to philosophical and religious beliefs. I’m sure years of witnessing inebriated photograph taking might have added to this doctrine. And as I continued to see Taylor on visiting the World Grotto and the Pub and everywhere else downtown for that matter, I realized that he is like an ocean. No thought is too deep for his mind, no stretch of the imagination too wide. Poseidon would be proud.


When the stars make you drool just like a pasta fagiole
Oh how the blues transforms a person. I heard a live blues band for the first time on my birthday at Sassy Ann’s Blues House. The reverberating harmonies of Jon Worley’s harmonica resonated like a thundering cloud on a clear day. The stage stormed into dance and at times, quiet admiration of the haunting, emotional ride the Cornbred Blues Band was undertaking.

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photo by Amber Cornett


I felt truly bless to be surrounded by astonishing sounds and friendly people on my birthday this year. Little Vicki even made me one of her famous margaritas – a swirling blend of sugary lime and extra strong tequila. A few others were also celebrating the Birthday blues and stood around reminiscing about the music, the night and the passed year. We resumed dancing at the good ole’ Sassy Ann’s Blues House until our feet hurt and the harmonica slowly hummed silent. And that’s what’s Amore I decided in that moment– the feeling of happiness after hearing and dancing to truly inspiring music with new Tennessee friends. The blues is like a river, flowing the far corners of the Tennessee emotive beauty and prosperity.

When you dance down the street with a cloud at your feet
Well I’m back at school in Ohio now. Unfortunately there’s no flower man, or little blues to speak of. Instead we have a Spoon man, amazing college 80s-insspired rock, as well as some Appalachian folk music.

Part of me is excited to get back into the swing of things in Athens, especially with the redesigning of my other baby, speakeasymag.com. But 520 festivities will be replaced with studying for midterm exams and research papers. Cocktails at Sapphire will be replaced with Halloween block parties and the annoying yells from the frat house next door.

How refreshing it was playing in the deep end with the big kids.
But perhaps returning home after spending the summer in a city is just like getting out of the blue water. You feel like a whole new person, and the next time you take a dive in the ocean or river, you won't be found in the kiddy pool.

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photo by Yoiryos
When you walk in a dream but you know you're not dreaming signore!

Perhaps my admiration for Knoxville's nightlife can also be displayed through a little slideshow I put together last month called "Out Tonight With..." It never made it on the site last month, but I think it represents at least some of the fun that can be had in Knoxvegas so check it out!


Click play to view a classic night in downtown Knoxville

Benefit For the Rock

As many of you might have heard, three employees of Sapphire were involved in a terrible car accident as they left work last week. Josh Gilliland & Chris Wissing are home recovering from injuries they received and are expected to be as good as new in the near future.

However, Lydia Rock, one of their first employees and a friend of 520 (also the "star" of our Pub Crawl posters) remains in the hospital in a coma.

The Sapphire family has decided to host a benefit party for Lydia to help raise funds to cover her mounting expenses. On Thursday, Sep 28th, the bar will be offering Happy Hour pricing from open til close. There will be DJ music beginning at 10 p.m. A portion of the sales will go to Lydia and her family but also, a hat will be passed throughout the evening to receive your individual donations and cards.

Not only is Sapphire known for their outstanding food, drinks and service, but also for their close-knit family of employees. Please lend Lydia Rock and the rest of the Sapphire staff your support during this difficult time.

September 21, 2006

Lantern & Carriage Tour of Old Gray

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If you're looking for something out of the ordinary to get into this weekend, why not make it a horse-drawn carriage?

Old Gray Cemetery is offering the annual Lantern & Carriage Tour of the graves of historic Knoxville characters. There will be storytelling, re-enactors, period costumes and refreshments to put you in good spirits!

For more info, contact the Old Grey Cemetery at (865)522-1424 or visit their website.

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Have A Big, Gay Ball!

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T here have been many proposed answers to the often-asked Sunsphere Question. Make it a restaurant, again. Turn it into a visitor center. Or a gift shop. My favorite solution by far has been the suggestion to turn it into a gay dance club by night and a wig emporium by day. Can’t you just see some guy in a Smithers costume cutting the ceremonial pink ribbon at its grand re-opening? Think of the freakin’ publicity. And what if they rigged the whole thing to rotate like a giant disco ball, a Big Gay Beacon in the night? A boy can only dream...

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Downtown needs a way to bring the gay community back to the city centre. With the demise of Lord Lindsay’s infamous Thursday nights, and the Electric Ballroom’s demographic switch to Goth over the last few years, the only gay draw left for downtown is to hit Sapphire on the weekends. And Sapphire’s not even particularly gay. It’s just a real nice place to go. Of course, there’s always The Carousel II on Fridays, but you have to be a chain smoker or a Jerry Springer fan to truly enjoy it. (By the way, I can’t wait for its sequel, The Carousel III: Hot Powell Nights.)

Which brings me to my point. The new gay center of Knoxville is that little section of Bearden lovingly referred to by the street that intersects it: Homberg.

Why Homberg? A gay bar under fresh ownership, a plush Studio 64-ish club, a theatre that just did back-to-back gay-themed shows, a porn shop, a Starbucks, and the best Sunday brunch in town. How could it get any queerer?


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Kurt’s, long known for its cheap beer and fierce lesbian pool-playing, recently switched hands to new owners, Becky Varner and Tracy Smith. In a recent Out & About article, Varner describes the down-home atmosphere of Kurt's as being like a "Cheers for Queers," and plans on keeping the bar's vibe the same while incorporating more frequent Karaoke and drag shows. On Saturday the 23rd, Kurt’s will celebrate a grand re-opening with a party named, I kid you not, The Pirates Mutiny Party: Curse of the Pearl Necklace. Come dressed in sexy pirate wear, get your timbers prepped to be shivered, and, as always, practice safe plank-walking.
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On the very same street as Kurt’s is the Black Box Theatre, home to the Actors Co-op. The Co-op just finished runs of Hedwig and the Angry Inch, the tranny glam-rock musical, and Unidentified Human Remains, an adult gay-themed thriller. Up next for the Co-op is another of their successful Whippersnapper productions for kids, Robin Goodfellow. Robin will be directed by company member Maureen Stanley and will run from October 6 to 29. The next main-stage show is the Alan Ayckbourn comedy Absurd Person Singular, directed by the former artistic director of the Morristown Theatre Guild, Micah-Shane Brewer. It opens November 30.

In case you’re still staying home on Thursday nights, wishing Harold were buying you drinks on the Lord Lindsey patio, then you should know that the new place to be seen is at The Fairbanks, where a trio of DJs are working hard to get your designer shoes grooving. Five dollars at the door, “Out” night at The Fairbanks gets you a night with two different dance floors. The front atrium blasts progressive electronica, while the main floor churns out a blend of house, electronica, and hip-hop. If you’re not in the mood to dance, then sit and watch the drag show, starting at 11:30.

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Still have doubts about Homberg’s gay-itude? Across the street you can have a fabulous meal at Big Fatty’s, and digest your food while you shop for porn next-door at West Knox News. AND just a mile or so down Kingston Pike is Rainbow Club West, home to the best drag queen in East Tennessee, Angel Collins. Until you’ve seen her do Dolly, you really haven’t lived.

And as for the coffee and brunch destinations? From my personal observations working at the Bearden Starbucks, you’d have to be in Orlando during Gay Days to have gayer surroundings. (Trivia: The Bearden Starbucks is quite possibly the Closest Starbucks in America to a Double-Wide Trailer. That’s Knoxville dichotomy for you.) For a delicious and hip Sunday brunch, head over to Gourmet’s Market, but get there extra early if you want to avoid the avoid-the-church-crowd crowd. Or just be fashionably late, and sit and enjoy your bottomless cup of coffee while you wait on the patio, taking in all the fabulous surroundings of this, Knoxville's Castro. Whatever your destination, right now Homberg is the place to get your gay on. Until the Sunsphere starts spinning, of course.

Jose Gonzalez

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This Sunday evening, the Bijou stage will be graced by Swedish guitarist/singer, Jose Gonzalez. Already a mega star on the European continent, Gonzalez is making the rounds State-side to promote his new and fantastic record, Veneer.

From an early age, Gonzalez was influenced by many types of music. His Argentinian father instilled in him a love of Latin music, but he also felt drawn to American folk and pop songs. Encouraged by his parents, Gonzalez picked up the guitar as a child and hasn't put it down in nearly 30 years--and believe me, it shows!

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Reflected in the songs on his latest album is a vast knowledge of what a guitar was designed to do and also what it's capable of. Gonzalez trained classically, which provided him a solid foundation on which to experiment with other styles in developing his own sound. His unique blending of Latin, classical and folk that sounds like what would happen if Crosby, Stills & Nash married Antonio Carlos Jobim and created a musical lovechild. The result is lush, intricate and mellow.

Although he mainly performs his own material, he has been known to surprise his audiences with hypnotic, acoustic versions of songs by Bruce Springsteen, Joy Division and Kylie Minogue.

Gonzalez is a no-frills artist. He records in his home using run-of-the-mill equipment. His albums rely solely on his amazing talent and not on the nip & tuck of a crafty producer. He's proven to most of Europe that he's the real deal and now he's here to prove it to us.

Get to the Bijou Theatre this Sunday night. Do not pass Go. Do not collect $200. (We're serious about this one.)

To learn more about Jose Gonzalez, check out these websites:

*Gonzalez on NPR's All Things Considered
*NPR's Song of the Day feature

Finally, if you can't get yourself to the Knoxville show, here are the rest of his '06 tour dates:

20 sep US Charlottesville .... Starr Hill Music Hall
21 sep US Carrboro .................... Cat's Cradle
22 sep US Asheville .................... Orange Peel
23 sep US Atlanta ......................... The Earl
24 sep US Knoxville .................. Bijou Theatre
25 sep US Birmingham .................... Bottletree
26 sep US New Orleans ........ House of Blues Parish
29 sep US San Antonio .................... Limelight
30 sep US Dallas .................... Gypsy Tea Room
02 oct US Tucson ............................. Plush
03 oct US Tempe ............... The Clubhouse
04 oct US San Diego ......................... Casbah
05 oct US Los Angeles ................ Vista Theatre
06 oct US Palo Alto ...... Enchanted Broccoli Forest
10 oct US Brooklyn ................. Brooklyn Lyceum
11 oct US Poughkeepsie ....... Vassar College Chapel
12 oct US Clinton .............. Fillius Events Barn
13 oct US Rochester ................... German House
14 oct US Columbus ................... Wexner Center

*Front page photo of Jose Gonzalez by Leslie Lyons

Hard Knox Roller Girls In Their First Bout!

Here's all you need to know about the upcoming knock-down-drag-out Roller Girl bout:

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Sad Songs Say So Much

“Your favorite music, well, it just makes you sad. But you like it because you feel special that way.” — Clem Snide, “Your Favorite Music”

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Well, I don’t know about “special,” but I do love music that makes me, in three letters, sad. More accurately (and utilizing a thesaurus), I like music that makes me feel emotionally crushed, breathless, desperate, devastated, as if my very soul was being bludgeoned with the very instruments used to play the song. I love songs that do that.

I can’t say exactly when this attraction to musical masochism began. My earliest favorite sad songs were about lost or ill-fated love. “Endless Summer Nights” by Richard Marx, circa 1988, comes to mind because I heard it over the loudspeaker in Kroger this week. That song and its video epitomized my 8th grade longing to have actually loved and lost, to feel legitimate heartache for something other than the unknown. “I remember how you loved me. Time was all we had until the day we said goodbye.” Even the title was heartbreaking: Endless? Ha! Summer? Never lasts! Nights? Dark and ruined by the light of day! Ugh! Richard’s pain was real, and, oh, how I wanted my small ache to be authentic.

As I’d so passionately hoped, I did experience some amount of valid heartbreak over the eight to 10 years after the Marx era and earned the right to wallow in sad songs. I discovered the mother lode of despair on CD when a college boyfriend (an art major, no less) introduced me to American Music Club. “Why don’t you be good for something,” begins “Gratitude Walks,” the first song on Mercury (1991). With his eternal self-loathing, Mark Eitzel became my sad-sack guru, my group leader for all things pathetic. If I wanted to feel sorry for myself (an argument, a failed test, a cloudy day), Mark was there to nudge the knife in a little deeper: “Just get me back to the leper colony, cause that’s where you left my heart.” The blade actually touched the bone.

It may have been around this time that it first occurred to me—a music junkie but not an actual musician—that the songs themselves might contain some special inflammatory agent, some ingredient that caused my chest and therefore my heart to seize up, resulting in actual physical but mostly just emotional pain. Minor chords and the minor key seemed to be the culprits. I still have no idea what these really are, but my knowledge of their names leads me to identify them although I’m deaf to their presence. Nothing about this connection between notes and mood is mentioned in the Wikipedia entry for “minor key,” but I know they’re up to something.

I finally came to grips with my conscious desire to seek out such music in the early winter of 1996 when I first became acquainted with Nick Drake’s Pink Moon. Here’s a testament to tone and intonation: although I could hardly tell what words Nick was singing: I knew—knew!—he was miserable (he’d killed himself in 1973, hadn’t he?), hence he was my new master of melancholy. Listening to Nick Drake’s voice murmur and lilt along with the plucking of acoustic guitar strings, I felt an undeniable urge to splay my body across the floor (at the time, horrendous brown shag carpet) and throw my blank stare at the ceiling. No fetal positions or clenched fists. No specific reason for suffering. Just a helpless surrender to music in the achingly gorgeous key of sad.

That’s when I knew my search would never end for songs whose traits I can’t quite explain except that they make me want to lie on the floor. (And now that I have a cat and don’t vacuum that much, the descriptor is mostly metaphorical.) Radiohead has kept me supplied for years. Ryan Adams offered up a classic with Heartbreaker. Gillian Welch and David Rawlings’ harmonies consistently put me in the basement. Recently, Ray LaMontagne and Jose Gonzalez have perfected the genre with intensely quiet and deeply emotional songs that are really difficult to listen to at work (where the floor is even more gross than at home). Despite the obstacles, I still seek out sad music. It hurts, but it hurts so good.


Paige M. Travis, publicist for A.C. Entertainment, has a real problem accepting that O.K. Computer is almost 10 years old. And she encourages everyone to come see Jose Gonzalez at the Bijou Theatre on Sunday, September 24 at 8 p.m.

September 18, 2006

The news from Sapphire

We just received this release from the good (and cute) folks at Sapphire about upcoming changes to Knoxville's swankiest joint. Read on:

Because many of you have been asking ... Sapphire's
wine dinner for September will feature all sparkling
wine! From sweet to dry and red (yes, red!) to white,
our distributor partners from B & T have come up with
a unique selection of 5 wines that really sparkle.
Expect some interesting food pairings from Executive
Chef Chip. Please join us September 19 at 6:00 PM for
the event. $35 with reservation, $38 without. You
wont be disappointed.

And in case you haven't heard, starting Thursday of
this week, Sapphire will have a new full dining menu
with four categories: HOT CHILL RAW SWEET. We did
keep some of the favorites from our previous menus and
we will still have our 5 course tasting menu with
optional wine pairings.

And speaking of wine pairings, also starting this
Thursday we will offer 60 wines by the glass,
including 10 sparkling wines. We have made an
investment in a state of the art wine preservation
system that will ensure every glass tastes like it
came from a freshly opened bottle. As always, we
still offer 30% off wine by the glass and bottle every
Tuesday.

Also new, for lovers of our signature drinks, we have
an enhanced signature drink list. We brought back all
the favorites of days gone by (like the White Courtesy
Phone and the Makaha) and have added four flavors of
Mojitos - Pomegranate, Passion Fruit, French and
Seasonal Berry. And now all the Mojitos are available
no sugar added using Splenda sweetener! Be sure to
check out our new signature shooter list as well.

Sapphire is also offering live jazz on Wednesday nights and drink specials throughout the week.

In addition to all the new drinking and dining
selections, we will be giving our website a facelift
in the coming weeks to better represent all the
changes. Keep your browser pointed to
www.sapphire-knoxville.com!

The SFR family was busy this summer in preparation for
all the changes and hope to see you soon to see what
we have been up to!

Hillbilly music & an incapacitated hooker

My Mysterious Knoxville520.com Odyssey:
How a This Website Led Me to the Alter of Hillbilly Music and an Incapacitated Hooker

Sure, I was downtown when Knoxville520.com launched its inaugural “pub crawl” marketing blitz. For a while I thought Knoxville520.com was a part of the gay pride event that was wrapping up on Market Square. While I am all for gay rights, and I like Melissa Etheridge, all I wanted was beer. I quickly accepted the Knoxville520.com free plastic red bracelet just to prove I am open minded, but, “No thank you, I don’t have time for a demonstration of this website or to play gay bingo because I am too engrossed in trying to make eye contact with a bartender.” After completing my ritual “walk through” of all of the downtown taverns, I was just amazed at the friendliness of these Knoxville520.com people. They even gave me a t-shirt! My final stop was at Uncorked, the wine bar attached to Oodles restaurant. The Yankee Jass Band was setting up, but their leader, vocalist Sara Schwabe was not with them. One of the Yankees said Sara was all about Knoxville520.com and that she would be singing during the last half of their show. The Jass band immediately launched into their instrumental set with “When Johnny Comes Matching Home.” Alright already, so “we’ll all feel gay.” (I had no idea Sara was gay! I knew she liked Cabaret music and theatre, but I am not one to stereotype.) It was not until many beers later that I learned she was not gay (not that there is anything wrong with being gay) and that she was not promoting gay rights, but she, instead, was fronting and maxing an exciting new local entertainment website. I am a local music fanatic so I was very pleased learned there was finally one place to go to find a calendar and other information about the local scene. And over the next few weeks, I kept meaning to look at the website. I really did. But I do not have a computer at home and it was always when I would log off of a library computer that I would remember this new website.

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On a Thursday night, I was so bored, I went to the downtown library, minutes before it closed, and I finally remembered to check out Knoxville520.com. Right there under “upcoming events” it said The Bearded, one of my all-time favorite local bands, was playing that night at the Corner Lounge! How could I have not known about this before now? Me, the music fanatic who is always on the lookout for my favorite bands. I still could not believe it, so I drove by the Corner Lounge, and the website was right. I had just enough cash to pay the cover charge and I slowly nursed the two beers I paid for with spare change. (Hey, I didn’t know I was going out that night! Remember?)

There was much merriment at this Bearded performance, because the Bearded ones always have that effect on their audience. The crowd included many excellent local musicians, hippie girls dancing together, and even one woman who determinedly walked up to the stage, lifted her t-shirt and flashed her breasts at the band (to Matt Morelock, in particular). Even local writer, scenester and gad about, Jack (who had the vendaloo?) Rentfro had left his farm and was holding court at the Corner Lounge. The Bearded’s special guest, former Knoxville resident, Jack Herranen, joined the band at the beginning of their second set. This was my first experience with Mr. Herrenan and I was very moved by the humanity evoked in his original songs. I even excitedly told one of the hippie chicks, “and to think I almost stayed home and missed out on all of this!” It was only because of Knoxville520.com that I was able to experience such an incredible band and floor show.

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But the incredulity did not stop after the show ended. On my way home, at approximately 2:20 a.m., I was driving down Magnolia Avenue when I noticed a female body lying by the side of the road, just past Knox Rail Salvage and next to the construction site at the former James White off-ramp. It was a startling and unusual site; and, and her feet were off of the curb and jutting into the street. I could not just leave her there. So, I backed up and blocked her body with my car. My headlights did not awaken her. I was not sure if I was observing extreme rest or rigor mortis. I stayed with her until help arrived, and then I drove away into the night, listening to my new Jack Herranen compact disc.

Some people do not believe in coincidences, accidents or happenstance. I am not sure what I believe, but from that evening forward, I have been a religiously loyal follower of Knoxville520.com. You never know where its guidance might lead you and how many lives (or feet) you might ultimately save because you took the time to enquire about what to do next.

--Debra Dylan is a life-saver, music fan and a woman about town.

Be brave.

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As we walked down to the show, I saw a friend of mine I hadn’t seen since June when we went up in the mountains one Saturday evening to watch the fireflies do their thing. Turns out he had won the contest through West 105 and was going backstage to meet Ben! How funny life is, when you get a front row seat to watch someone else get what you’ve wanted for so long. As we walk down to the show with them, he shares his shock and excitement about winning, ‘I’m so happy for you’, I finally to get out, with a bit of effort. I am happy for him. Actually I’m happier for Ben, because Tony is a huge fan, an original, and I bet Ben will really enjoy getting to chat with him for a few minutes. We head straight up to the front, and my friend quickly points out a curly, white haired woman in her 50’s or 60’s dressed in purple and says, “There you are at 60.” I hope so. If I’m still going to see Bob Marley’s kids and Ben Harper live under the stars at 60? Shoo, now that’s a worthwhile goal to me!

A few minutes latter another one of the firefly crew comes over and invites us to move deeper in, there’s ‘plenty’ of room. We stop about 20 feet from the stage, and I smile to myself, how cool that almost everyone from the firefly night is now at Ben Harper and none of us had talked to each other about it? Makes perfect sense though, like attracts like and the similarities are numerous between seeing Ben Harper perform live at World’s Fair Park and watching thousands of fireflies light up the darkness.

When Damien Marley’s crew came out, almost all of them are dressed in camo, as if they are dressed for war. I had a feeling he’d be all about ‘businesses’. It’s one of the reasons I love reggae music so much, it has a voice, a consciousness. It is all about educating and encouraging others to join the fight. Damien is much rougher than Bob; in style and content, he comes off harder. But from my limited experience in Jamaica and urban America I can see why. There has been growth and change since Bob was singing but not as much as many would like to see. And the original fight is against apathy, so Damien hits hard in an effort to wake people up. The crowd, of primarily 20 something white kids was listening intently as he educated us on eating ital (similar to vegan, which orthodox Rastafarians do for their physical and spiritual health) and getting enough rest. We chanted ‘Be Brave’ back and forth with Damien, jumped up and down, and were entertained with the dancing of his two back up singers. The surprise of the evening, for me, was when his brother, Steven, (Ziggy’s little brother) came out and sang a song with Damien! Near the end of their set I notice a new guy standing next to me very still. He has sun glasses like Tom Cruise circa 1986 in Top Gun, and he is recording the show with a fancy wireless notebook. I hand him my email address when he left, never saying a word to him. I hope he gets that I want a copy?

As the darkness gradually spread over us the light seemed to grow. That light within each of us, that buzz and excitement during a really good live show. Some time during the short break between sets the first star came out, just to the right. Someone noticed it and spread the word on down. See, by the time Ben came on we were one big happy family. Everyone was talking with everyone. Like TJ and Lydia, the really cool couple in front of me that had driven from Winchester, KY to see the show. We even exchanged numbers before the evening was over.

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Ben and the Innocent Criminals kicked it off with a pseudo acoustic version of ‘Burn One Down’ and everyone went wild. The glow sticks began whizzing through the air, along with beach balls, and smoke. Before long a girl just in front of me was lifted above our heads and entrusted to the few hands that weren’t smoking and drinking to keep her moving along, several more quickly followed her lead. Within a few songs, the glow sticks started breaking and spilling their radioactive looking funk all over everyone and some dude close to me accidentally got hit in the face and his nose was bleeding. So people quickly chilled out. It was actually the most polite and considerate crowd I’ve ever had the pleasure of being in. Maybe it’s all the UT football games and Bonnaroo practice, or maybe because it was Ben Harper? But seriously, I didn’t even have to fight to keep my place the whole night, and I could dance too? Ben and the guys started tentatively almost, feeling us out, warming themselves up and gauging if we were there strictly to be entertained or if we wanted some inspiration as well. Ben moved through his set list digging deep in the vaults and pulling out the 3 soon to be classics from his latest, Both Sides of the Gun. The whole Marley crew came back out for ‘Get up, Stand Up” and they even did an amazing cover of ‘Heart of Gold’ with Jason Yates playing a mean harmonica. Oh and Juan Nelson sang a couple times and did a mesmerizing bass solo, which had Ben fanning him with a towel, because we all dug it so much, so he played than I think he was going to.
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As more stars came out, Ben dug deeper and deeper in himself and in performing his songs that touch more obviously on his spirituality. When he played, ‘Where Could I Go?’ he pulled away from the mic, pulled way - away from it and … just paused there. We all continued to cheer and I kept thinking at any second he’d step up and wail out, ‘but to the Lord’. But he stayed away so long I wonder if he wasn’t choked up? I can only imagine what it must be like for a musician to put their heart and soul into a song, especially about something as personal as their spirituality, and then go out on stage and perform it for thousands of people. Can you imagine opening yourself up to the judgments and opinions of so many? Now that takes GUTS! And then when they ‘get it’? I’d be choked up! I just remember throwing my hands open wide and seeing so many around me doing the same, patiently waiting for him to come put a voice to what we were all feeling. He began the acoustic set with ‘My Own Two Hands’ and as I sang along with everyone else, I wondered if hearing songs like this inspire others the way they inspire me to make the world a better place? I had a flashback of being upset at 4 or 5 because baby seals were being clubbed to death in Alaska. My Mom suggested I write the president a letter; tell him what I think about it, like it was Grandma or something? So, I did, and we mailed it too. That’s when it started for me, way back then. I wonder about others though, do they believe they can make a difference, do they use their own two hands, and does Ben’s music inspire and encourage them? What about you? Ben clearly is up there with more on his mind than just entertaining us. Something about soaking in Ben Harper and the Innocent Criminals that leaves me feeling more refreshed than the best sleep. He sets off a spark within me and each time I’m awakened to another means of fighting the apathy that surrounds us. I hope if you were there that you are inspired to get involved. And if you weren’t, just get his latest album, and listen to the first track, ‘Better Way’ if it’s inspiration you need. Oh, and if you need help finding a direction to begin, hit me up.


--Gretchen Paxton has been working in the music biz since she was 15 and has been a fan since she could hear. She is also a writer and an activist.

September 14, 2006

Jazz Clinics begin this weekend

To paraphrase Count Basie, it’ll be Jumpin’ at the Library two Sundays in September when the Knoxville Jazz Festival begins its second year of hands on/listening workshops in the Auditorium of the East Tennessee History Center.

On Sunday, September 17, at 3:00, jazz drummer and UT professor, Keith Brown, will present The Rhythm Section: Backbone of the Music.

On the following Sunday, September 24, at 3:00, the world renowned pianist, Donald Brown, will teach The History of Jazz and the Art of Improvising. The History Center is located at 601 S. Gay Street across from The Tennessee Theatre. Both workshops are free.

The Rhythm Section: Backbone of the Music takes a look at the role of the jazz drummer as well as how jazz rhythm has evolved from a straight four to the complicated rhythms commonly heard today. “The drummer is sort of like Ginger Rogers,” Keith Brown said. “It’s said she did everything Fred Astaire did only backwards and in high heels.” According to Brown, the drummer is generally in the background supporting the other players and holding the band together with a dead-on beat. The drummer has to know all the tunes, anticipate what the other players are going to do as well as play innovatively “If something’s not going well, it’s often the drummer who has to step in and fix things.”

Improvisation has been an integral part of jazz from the beginning which is why Donald Brown links The History of Jazz and the Art of Improvising. Jazz improvisation may be defined as composing music on the spot. Although it takes practice to become a skilled improviser, a lot can be learned in a short time when the teacher is as gifted as Donald Brown. Students come from all over the country to study with him at UT and he recently finished his second stint as a fellow at the Brubeck Institute in California. The public is invited to bring instruments or just come to listen.

The second Knoxville Jazz Festival is March 1-3, 2007. It is produced by Knox County Public Library, Donald Brown and Tribe One. The September workshops are funded by The Friends of Knox County Public Library.

For more information, call Nelda Hill at 215-8729.

Where We're From

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I just heard this joke told at least four times as it traveled from cubicle to cubicle to cubicle in the office jungle behind my desk:

Why did Snoop Dogg take an umbrella with him outside?

The Drizzle.

If you tire of referencing rappers from the Coasts, then you're lucky, 'cause we've got our own up-and-coming rap superstar to talk about right here on the banks of the Tennessee. Unless you've been under a rock all summer, then surely you've heard THE song that's become the unofficial summer anthem for Knoxville. No, not Gnarls going "Crazy." Not even that song from that Timberlake kid. If anything's bringing sexy back, it's "Where You From (Da 865)" by Alcoa's own Mack Williams, a.k.a. Mr. Mack.

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Mr. Mack, representin' in the middle of a street near you

On his website, www.mrmack865.com, Mr. Mack describes his unique niche in the rap-o-sphere
as "gritty country hip-hop." And this gritty little city has eaten it right up. What's the number one song at 104.5 right now? Yep, it's Mr. Mack's, beating out big songs from huge national artists like Ludacris, Fergie, and Monica, to name a few. I can see why he's so popular: Any artist that can mention the Pellissippi Parkway in a song with a straight face gets street cred in my book, fo' shizzle. Go and listen to the song at www.myspace.com/mrmackbr and see if you can restrain yourself from proudly declaring where you're from. And if you like it, then go and see him in person next week.

What: "The Fall Ball" with Paul Wall, DJ Don Cannon, and, of course, Mr. Mack
Where: The Red Iguana
When: September 21st, 8 pm

Can't make it? Then check out this collaborative remix on YouTube with guest artists from the less-rapped regions of the 901, the 423, and the 615.

Notes From the K-town Underground : The First Game Day

It’s that time of year again. The time when the leaves begin to get a hint of color and the streets of K-town are flooded with enough orange to out fit every deer hunter in the Northern hemisphere for three lifetimes.

It’s that time when every non student in the Fort locks his or her windows and just hunkers down, awaiting the madness to end as Orange Football Insanity burns and boils in the blood of the hardcore fan.

It’s always kind of hard to explain to a non-Knoxvillian the ins and outs of the game day transformation of consciousness. You always come off as feeling a little silly, if not absurd, trying to get it into someones' head that "yes, these 200,000 people are legally insane for approximately 10 hrs prior and 10 hours after a Tennessee Home game."

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I realized just how absurd it was while sitting on the patio at the Downtown Grille & Brewery just after dark on a Saturday night with a few traveling friends of mine. I suddenly became aware that they hadn’t experienced game night in Tennessee before, as indicated by their staring at every piece of orange that came by the sidewalk with an inquisitive look. Before I could explain how the night would progress, I turned and asked the gentleman behind me the score. Once given the fact that Tennessee was kicking the snot out of Callie, I turned to my friend and laid it all out for him.
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“We’re getting ready to see people of every race religion, profession, socio-economic disposition, age, and inclination come storming in a stream into every bar within two miles. Once they get there, they’re gonna start getting extremely inebriated immediately. After approximately 45 minutes to an hour, we will begin to hear spontaneous yelling, whooping, hollering, and the occasional glass breaking. This will build for thirty or so minutes until spontaneous verses of Rocky Top can be heard erupting among the more boisterous in the crowd.” It was at that moment that I realized that this was the same crowd that I would be playing my music for in approximately 30 minutes. This realization did not come without its doubts. For one, the demographic of any bar on game day shifts dramatically to include people that normally do not get out. You’ve got the older set that use game day as a really good excuse to drag the orange out the closet and use it to tie one on. These people are not necessarily accustomed to the bar scene and see it much in the same light as the few times a year that they get to go to Gatlinburg or Dollywood. This can pose a problem when trying to entertain them. When you’re used to the Grand Ole Opry on Tues nights and to top it off you just left Neyland Stadium, being entertained by an Appalachian blues band could be a stretch. I didn't worry too much about it though, as soon as I heard the victory boom of the fireworks. I started to get a little tear in my eye as thoughts of all the times spent with family around the tube on game day and the overwhelming feeling that through this simple game there was some glue that tied us together as Tennesseans. I turned to my visiting friends and said, “We’ve got thirty minutes until this place is going to get crazy.” I just sat back and calmly waited on the patio as the stream of people steadily increased, as did the ratio of orange to any other color. The Downtown Grille slowly filled to capacity and showtime crept steadily nearer. Instead of clenching up at the sight of so many people that are not what you would call your typical ‘Cornbred Kid’, I started to realize the true meaning of the game day experience: It’s Democratic in nature, that all these people from all these different walks of life have converged at this one place and time for the sole purpose of celebrating life. The hipsters were sitting next to the young neo bohemian romantics who were sitting with the boys from the frat house down the street who were sitting next to a 45 year old engineer from Jefferson City with his wife Edna who looks like she probably sells Tupperware in her spare time. As absurd as that cornucopia of people may seem, there is a beautiful quality to a group as diverse as that. I don’t think any other single event can do this. It is a true Knoxville oddity that one can’t appreciate until it’s experienced.

I turned to the crowd with a new found sense of belonging, sat down in the cock pit of my Tie fighter (a.k.a. Wilma, the 66 Wurlitzer), and closed my eyes as the boys behind me broke into a saxophone led UT band version of Rocky Top--complete with pedal steel and drums. The place went wild. I distinctly heard glass breaking. I saw Mrs. Edna, the Tupperware lady from Jefferson City dancing out of the corner of my eye. I chocked it up to the beginning of another beautiful musical experience in the strange social experiment known as the K-town Underground.

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Tennessee Sheiks CD Release Party

The Laurel Theatre becomes the Hot Club of Knoxville this Friday night as it swings to the sounds of gypsy jazz band, the Tennessee Sheiks, as they celebrate the release of their self-titled album.

Django Reinhardt

This local musical caravan takes their inspiration from the legendary and distinctive French guitarist Django Reinhardt. The Tennessee Sheiks infuse standards, as well as original pieces, with sophisticated rhythms and dazzling melodies that hearken to another time. The instrumental numbers, as well as those graced by the nimble vocals of Ms. Nancy Brennan Strange, are lively & acoustic in nature and bring to mind the soundtrack from The Triplets of Belleville.

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The Triplets of Belleville-2003

(WARNING! History Lesson Approaching!) The sound of "gypsy jazz" evolved out of many musical styles, being that its "originators" were European nomadic people who encountered all types of music on their journeys. You can hear a little bit of French folk, Klezmer and a touch of Spanish in this unique style of jazz. It became wildly popular in Europe, as well as in the States, during the 1930s when the Hot Club of France, featuring Django Reinhardt and violinist Stephane Grappelli, was all the rage. (Whew...lesson over!)

All veteran musicians, the members of the Tennessee Sheiks find that their own diverse musical backgrounds only add to the rich flavor of their music. Incorporating several guitars, banjo, mandolin, dobro, percussion and vocals, the band's acoustic sound is lush and vibrant--and great for dancing, says Nancy, so be sure to bring your dancin' shoes (partners not necessary)!

The swinging soiree gets underway at 8pm this Friday night at the Laurel Theatre. Special guests that night include, Steve Horton, Dirk Weddington, Marcus Shirley, Ken Wood and Doc Cullis.

While you're there, be sure to pick up a brand new CD by Knoxville's favorite gypsies!

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Random gypsy kids

Benefit for Laith a Huge Success

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As anybody who was out that night (and can remember it) will tell you, the benefit for Laith Keilany, and the Thompson Cancer Center, was a huge success. It was a way to help out a friend, help out folks in need, and, it was a way to say thanks to Laith for so many benefits he has played. Slaps on the back go to Bryan Benson, Lenore Kinder, and Matt Urmy for putting together the night that included twenty five bands, ten venues, and everyone in Knoxville. With the matching funds from 21st Mortgage, the benefit raised over $11,000.

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Not since Bonnaroo have I seen so many people all having a good time; I guess that's why several folks started calling the event Laitharoo. Laith will be back on his Knoxville feet in November, and I know the oud will be back on the scene (and on the benefit circuit).

September 11, 2006

Maid Rite Stringband

One of my favorite things about being a musician is having musician friends.

No matter the occasion, whenever there's a gathering of musical types, you can pretty much count on someone whipping out an instrument to add to the festivities. Soon, voices join in and there are more instruments added--some legit and some made from whatever materials are handy (i.e., spoons, tabletops, pans). In no time at all you've got a bonafide--although temporary--band born from the inspiration of the moment. And every so often, the magic of the moment sticks and the skeleton of a true musical group is formed.

One new local group to develop out of such improvisation is the Maid Rite Stringband, comprised of musical veterans Sarah Pirkle on fiddle and Matt Morelock on banjo/ukelele. They're joined on guitar by Leah Gardner, a relative newcomer.

The band takes it name from the brand of an old washboard. Pirkle admits that they put considerable time into deciding on their name. "I think we spent more time coming up with bad band names, than one that would really work", she said, "including the InnerTainters", before settling on the more marketable Maid Rite Stringband.

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Pirkle met Gardner about 10 years ago when she taught her the fiddle. They became fast friends, but Gardner eventually moved away. The two stayed in touch through the years, while Morelock and Pirkle started jamming together at various parties and other events. They found that their mutual love for traditional Appalachian and Old Time music made them great partners.

Morelock suggested that they take their musical relationship to the next level by putting a trio together and playing local bars and clubs. Both he and Pirkle knew they needed just the right person to make the group a success. Luckily, Gardner had recently returned to Knoxville. She had become quite a good player while she was away and was more than happy to round out the trio--although she had never yet played in front of an audience.

Setting her nerves aside and trusting in the experience of Pirkle and Morelock, Gardner enjoyed the first public performance of the Maid Rite Stringband last April on WDVX's Blue Plate Special. Since that time, the group has been working on learning new music and even writing some originals.

This week, the Maid Rite Stringband will be entertaining the entertaining folks at the Corner Lounge. Get out and see them on Thursday, Sept 13th at 9:00pm.

Lyle Lovett at the Tennessee Theatre

Grab your hat and head out to the Tennessee Theatre this Wednesday night for the big Texas sound of Grammy winner, Lyle Lovett.

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Lovett circles the wagons here in Knoxville for the first time in 3 years with his whole band--um, his large band-- to dazzle us with his distinctive blend of Texas swing, country, honky tonk, folk splashed with a touch of gospel. His "solo" appearance in Knoxville last year featured several musician-friends including John Hiatt and Guy Clark. This time, though, the show will be just Lovett and his band of merry, music-making cowboys.

Still touring to promote his most recent release on Lost Highway Records, My Baby Don't Tolerate,

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Lovett is sure to make the most of his band's talents by featuring some of the songs on his 1989 classic,Lyle Lovett and his Large Band. Although, with more than 12 record full of music to choose from, you never know quite what you'll get at one of Lovett's shows! If you need to flesh out your Lyle Lovett collection, I checked with the good folks at the Disc Exchange and they've got his latest record as well as these titles available for your listening pleasure: Joshua Judges Ruth, Live in Texas, Lyle Lovett & his Large Band and his self-titled album.

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There are $54 and $44 and are still available online or by calling Tickets Unlimited at 865-656-4444.

September 08, 2006

Memories on a stick

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My family--we're fair people.

State Fair people, that is.

I recently returned from a visit home to Minnesota. Even though there are much warmer times to visit the north woods, I wouldn't have missed the opportunity to plan my trip in conjunction with the Minnesota State Fair last week. It was also my mom's birthday.

My dear mother has the good fortune of celebrating her birthday on Labor Day weekend every year--which also happily coincides with the State Fair. This year, we decided to ring in her 54th year with one Fair activity for each year she's graced our planet. This may seem like a daunting task at first, but it's really quite do-able. With the main Fair activity being eating like a Prize Sow, we knocked about 27 things off our list in the first couple of hours!

Fair organizers make this even easier by putting all the food on a stick. Every food you can imagine (and some you shouldn't) can be fried and shoved on a stick: pork chops w/ sauerkraut, Hot Dish (what Minnesotans call "casserole"), Twinkies, various candy bars, French toast and even a pickle. (With the pickle, you get a souvenir hat, too!)

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Only at the Fair

Whether you eat your way across the fairgrounds, stand in line for every ride or simply spend the day wandering through the craft exhibits, Fairs leave an impression on pretty much everyone. With the Tennessee Valley Fair kicking off tonight, we at 520 thought we'd fry up some of our own memories of the annual community get-together. Step right up and get 'em while they're hot!


Joe Beuerlein:
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My schoolboy Fair memories are few and far between, mostly because my parents absolutely loathed going to it. (Fair Day in my dad's eyes was another opportunity to leave a list of chores since I was out of school and had nothing better to do.) I remember one year I only got to go because I begged and begged and promised Dad I would watch the frikkin' horse show with him if only he'd take me to the fair, dammit. (Actually, if I had used that kind of language with him, I might have lost an ear.) As per our agreement, I patiently watched the horse show (boring) and practically bolted to the midway with my Dad's arm in tow as soon as it was done. Of course, at that point, the Midway was closing and I watched in horror as light after light flickered off around me. I had time for just one ride, the first I saw: The Gravitron. An hour later, I'm home and throwing up.

Second saddest Fair memory: Winning a fish at the Fish Throw, putting it in a jar at home, deciding the "aquarium" needed a festive, earthen floor, suffocating fish with handfuls of dirt cascading to the bottom of jar. I was a smart kid, I swear. Just not well-versed in aquarium-building techniques.

Maybe after I go the Fair this weekend I'll replace these old, crappy memories with delightful new ones. I will not be riding the Gravitron this year, but I do plan to at least look a scary Carnie or two in the eye, eat something greasy, and, with my fanny pack safely facing the front, mischievously watch the East Tennessee multitudes in their full-blown Fair frenzy.


Paige Travis:

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Too Bad Life’s Not the Fair

Sometimes it’s as early as July when one of us, awoken for a moment from a heat-induced stupor unfazed by another drop of sweet tea, speaks those two words that give us enough willpower to make it to September: The Fair. It’s a noun, a place, a night of preordained decadence and a glimpse of summer’s end. My parents took my brother and me to the TVA&I Fair only once that I remember; it’s well documented in pictures: two little kids with bowl haircuts circa 1980 riding the carousel and the boats and the sparkly cars, craning our necks around to spot Dad in the crowd and wave for the camera. Except for an unnecessarily cynical jaunt to the fair as a teen, I never went back until just a few years ago. We were mainly there to see Hank Williams III perform. Hank said the Fair people wouldn’t allow him to do the hell-billy portion of his act, which was just fine by me. Being at the Fair was freaky enough. The flashing lights, the noisy rides, the mullets, the army of strollers, the menagerie of vegetables and competition wigheads in the Jacob Building. So much to gawk at! And so many unacceptable-the-rest-of-the-year foods to eat! Don’t even get me started on the drama of the baby ducks. It’s priceless.

Now the Fair is a yearly event that has taken on a devoted group of followers. Not everyone’s a convert. Some people don’t want to eat their fill of corndogs and fried dough and ride the Ferris Wheel and pet goats once a year. That’s fine. But the rest of us look forward to the event with as much anticipation as any holiday. Next year I might start a new tradition and take the first Friday of the Fair off from work. Who’s with me?


Michael Gill:

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Ah, the Fair:

Some of my earliest memories of are of going to the fair with my Granny. I couldn't wait to get to the rides, even back when the Merry-Go-Round seemed sort of thrilling, but Granny always made sure we toured the Jacobs Building first. There was lots of different things there, but I mostly remember big pumpkins and Indian corn. Then it was on to the livestock. There were blue ribbon champions of all different breeds, and then there were some freaks. One that stands out in my mind was a calf with five legs. Actually, the fifth leg was more like an extra tail with a hoof. And FINALLY, we made our way to the Midway! The Double Ferris Wheel! The Tilt-a-Whirl! And the freak shows! Actually, I was a little afraid to go in there, except Granny would go in with me. The "Hairless Dog" turned out to be a hot dog. Ha ha. But the "Alligator Lady" was somebody with a really bad case of eczema or psoriasis or something. Now that was bona fide CREEPY!
In high school, I went to the fair with one of my buddies. We skipped the Jacob Building and the livestock and went straight to the Midway. After a few rides, we talked each other into going to see the strip shows, one black and one white. Tassels and G-strings! Ooh-la-la! Alas, the Tilt-a-Whirl would never be the same.


Dennis Perkins:

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My memories of the Fair are lost in the mists of time passed or an extra martini.

I was once very excited by the carnival rides until a childhood bout of gastritis turned my beloved Scrambler into the vomit inducing terror that it remains unto this day. Still, before that transformation, I lamented missing Wristband Day and the unlimited, all-in-one-price of endless scrambling. We were a family of modest means, so the acquisition of the Wristband was a great equalizer. Once I donned that ticket to paradise, I didn’t have to worry about the shame of counting, recounting, and budgeting the precious and sadly limited tickets.

Yet even after my love of the rides waned, and despite that fact that I had interest only in livestock that I could eat, the Fair remained a thrill of lights and activity – a communal joy that excited longing and love. Those memories, however, are vague and suspect since they occurred at the same time that I was locked in epic battle with the dark elf-prince of Beldondezzar and his king, the fell and malignant grandfather Tree. But just as I recall my triumph when I threw down that dark prince in the woods of my home, I can still feel the thrill of victory when my steady aim of the water pistol made the balloon head of a clown burst. I was magnificent then and relished in vanquishing my enemies. Certainly the prize did not equal my feat, but even the smallest of those stuffed animals was a sizable trophy to a boy who was often called a sissy. Lamentably, that satisfaction passed all too soon when I realized that there were life-sized teddy bears to be had: creatures that made my palm-sized pink elephant seem like a, well, a palm-sized pink elephant.

My only certain memory involves food and the utter temptation of frying sausages and peppers. I was in high school, barely a teenager, and in the company of friends whose farmer father insisted that we at least look at the livestock (even though we couldn’t eat it). Clever me found a way to slip away from the smell of manure and animal to find the frying fat that called out to the twenty-dollar bill in my pocket. I can still feel the hard roll in my hands and the unspeakable joy of hot grease dripping from my mouth. So glutinous was I that I ran to the next three stands alternating between kielbasa and Italian sausage. It was pure joy – a taste of unsupervised indulgence that was akin to heaven until it sent my stomach straight to hell. The rest of the evening is a blank.

My last visit to the fair is also clouded: yet, this time, the mists are composed of vodka that, like my post-pubescent procession of sausage, muddled my senses. These were the college days when everything non-academic was made better with a snort or two (or more?). Even so, I recall the lights and the festival joy as clearly as I can recall the voice of the clown/comedian whose bit was to insult any and all passersby. Sure we stood in the back of the crowd – but still he found me and called me out. I think he said fairy, or maybe he just asked me about my boyfriend; maybe he called me sissy.

Once the shock passed, I think we laughed and went on our way.


Ellen Robinson:

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It's fall! (I know that for Yankees, September in Knoxville does not count as fall, but try to work with me. It's cooler at night!)
You know what fall means? It means THE FAIR!
I grew up in a very small town that only had a tiny little po' dunk county fair that was 1/2 carnival and 1/2 farm. I vaguely remember there being barns full of chickens and rabbits, and some gigantic pumpkins with blue ribbons, but I was much more interested in the carnival side. You'd have thought it was the social event of the year to gauge by the excitement it inspired in my siblings and me.
Not only were there killer rides (still my favorite part of the fair!) and carnival foods on sticks, but there was something that just hovered in the air around the fair:
I don't think I really understood it as a child, I just had a vague notion that there was something mysterious about the whole affair. It was almost as though there was something naughty or maybe even evil going on just around the corner where we couldn't see it, and for some reason none of the gown-ups seemed to be aware of it. Or even more shocking, they didn't mind that we were being exposed to it!
Whatever it was, I found it absolutely thrilling!

In retrospect, it's probably just a reflection of how sheltered I was as a child:
I suspect I was picking up on the deliciously seedy undercurrent that you find at all carnivals and fairs, but had no way to define it as such (I didn't know what seedy was yet!). I also have no doubt that I was picking up on the falsity of all the grown-ups that were there. Have you ever noticed that they always pretend that the carnies and the sideshow freaks are perfectly normal?
Of course most of them are, but any kid will tell you that the bearded lady and the wolf boy want you to stare at them! That's why they're there!

So take a ride down the bumpy yellow slide of memory on your burlap sack, and bring your kids or nieces or nephews with you to the fair this year.
And for goodness sake let 'em stare. It could be the thrill of a lifetime!


Phil Pollard:

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I'm from Maryland, but more importantly, I'm from a time when shorts were short. Shorts were not baggy, and they didn't have room for pockets. If you had change, everybody knew it.

That's a good introduction to my State Fair story.

I was at the State Fair with my sister and some of our friends. We did a lot there: saw pigs, tried to win stuffed animals, and we rode the rides. We rode all the rides until we finally went for the Tilt a Whirl. (Some folks call it the Gravitron.) Whatever you call it, it's the same in all states and at every fair. You go in through a door, and you're in a round room that's more like a bowl than anything else. It starts spinning, and you stick to the wall. The floor goes away. And honestly, at that point I'm done. I stuck, the floor went away, let's go.

But for some reason, the ride runs for several minutes, long enough to start checking out the other spinners. That one lookes like he's going to be sick; that guy looks scared, the usual fair ride expressions.

These people had a new expression, one I'd never seen before on a fair ride. It was curious, and amused, and maybe embarrassed all at once. But more importantly, it was focused not just on me, but on the lower me, on my shorts, but as it turned out, not on my shorts.

I don't know the whole physics of it: was it centripetal or centrifugal force? Did the shorts ride up with me on the wall? Why was every part of me and my clothes pulled up along that wall save for the one part?

Well, I still wonder sometimes if when those people went home and their family asked what they saw at the fair . . . well I still wonder what their answer was.

Knoxville Retrospective

A summer spent in a new city is like skinny dipping for the first time. The experience refreshes, liberates, and as in my case, gets your feet wet in the real world of lunch meetings, research, html codes and deadlines. And in the manner that plunging in cold summer waves in your birthday suit makes you feel well, naked - summer internships have a way of exposing strengths, weaknesses and your potential for making it in the deep end of the pool with the big kids.

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Sara Schwabe and Julia Marino in Market Square

Coming from the small college town of Athens, Ohio, I arrived in the "big city" of Knoxville this June excited to delve into new, cutting edge genre of online entertainment journalism at Knoxville520.com. I offered when I could the journalistic skills I had learned at Scripps' School of Journalism at Ohio University. And when I was in over my head, I was rescued by wonderful experiences and people who allowed me to learn valuable technical and professional lessons both in and out of the office.

Because Knoxville520's specialty is entertainment, I will revisit a few of my most memorable nightlife experiences that have strengthened me not only as a journalist, but a person who loves entertainment. Perhaps you've experienced similar happenings yourself, and at the very least, maybe you'll recall such summer memories the next time you're wading naked in the kiddie pool.


When The Moon Hits Your Eye

The very first weekend I spent in Knoxville was during a visit with some classmates and colleages this past April. As we strolled the barren Gay Street on a Saturday afternoon, qualities of a ghost town seemed to trickle into our impressions of the city. To our amazement, we seemed to be the only people walking downtown. The only sound to be heard was the birds chirping and our quiet footsteps on the cement pavement. However, after swimming in the cultural whirlpool of the K-town music and bar scene, I came to find that Gay Street can be as alive as a Rainbow parade in San Francisco given the right night. And despite rumors of haunted blues bars, Knoxville is no ghost town; it is as alive as a shower of fireworks- hence events such as Boomsday, not to mention the term Knoxvegas.

As the night progressed, we ventured over to Market Square. The gallery at the World Grotto immediatly caught the attention of the starving artist in me, and as a lover of all things shiny, admired whimsically the glowing orange lanterns and the glitter speckled in the marble of the cave.

After discovering a unique line up of concerts, international dancing and other events to be scheduled that summer, I knew in an instant that I'd be signing in for my frequent flyer miles to the World Grotto. And as many Knoxvillians would warn me, many other K-town attractions almost sucked me in like the summer tide pulls the moon ashore.


Like a Big Pizza Pie

The summer soon arrived and so did Sundown in the City. Sundown in the City reminded me more of the festivals that I experienced in Rome, Italy than the ones of the Midwest where I grew up. Market Square is reminiscent a European plaza with outdoor patios and tables equipped with shade and a cold one from the Pub.

The ghost town of the past suddenly was packed with hundreds dancing and singing to the sounds of summer. Wine was flowing, laughter was ensuing, kids were splashing like fairies in the fountain. In August, Scott Miller & Robinella celebrated a concert on the square and the same abundance of fans and listeners crowded the plaza eating Tomato Head pizza and Guss's barbeque.

Life was good, And when no one was looking, we could join the kids in the fountain, dance like swing kids in Oodles, and maybe even take a dip in the great Tennesse river.


And That's Amore!


This is Part 1 of a 2 Part blog.
Keep your eye out for Part 2 out next week!

September 05, 2006

The Bad Plus

You gotta admit...there's something in the water in Minneapolis.

There's always some great sound coming out of the Midwestern Musical Mecca (how's that for alliteration?):

Prince
Bob Dylan
The Replacements
The Jayhawks
Husker Du
Soul Asylum
The Suburbs
Morris Day
Happy Apple
Tapes 'n Tapes
Mason Jennings
The lady who sang "Funkytown"

The latest group from the Land of 10,000 Lakes to make waves across the country is experimental jazz trio, The Bad Plus, appearing September 7th at the Bijou.

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Dossier photo of The Bad Plus

The Bad Plus have joined forces with Grammy award-winning producer, Tchad Blake, who has worked with such mega-stars as Peter Gabriel, Pearl Jam, Tom Waits, Suzanne Vega, Tom Waits and Elvis Costello. Even though they are classified as "jazz", the group hasn't made many friends with jazz purists. They use the mixing board like an instrument, itself. The result is a sound that is fresh, risky and vibrant.

One of the most talked about performances at Bonnaroo, kicks off their fall tour with their debut in Knoxville this weekend. The Bad Plus is currently promoting their latest album, Suspicious Activity. The title is taken from a sign outside the Minneapolis airport encouraging travelers to report "suspicious activity". The bassist, Reid Anderson, describes the phrase as typifying the "paranoid security-conscious society in which we're now living". Drummer David King and keyboardist Ethan Iverson agreed that it would make a perfect album title, since their "high-impact" music often raises suspicion among typical jazz listeners.

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Album cover for Suspicious Activity

Tickets for The Bad Plus are still available at the Bijou Theatre website.

A Conversational Conversation with Calvin MacLean

I recently wrote on my thank you, five minutes blog that actors shouldn’t be theatre reviewers. After all, we are far too fashionable to be bothered with critical thinking; moreover, fewer than half of us can read or write anyway (true fact). Most importantly, though, it’s never a good idea for an actor to critique any theatre or director that could potentially give him or her a paying gig.

But can actors be theatre interviewers? Can we do that without a conflict of interest? Throwing caution to the wind, I daringly gave it a whirl.

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Calvin MacLean is the newly crowned Artistic Director of the Clarence Brown Theatre and Department Head of Theatre at the University of Tennessee. His full and impressive resume can be found at the CBT’s website, www.clarencebrowntheatre.com. In a nutshell, MacLean comes to UT after having enjoyed a lengthy stint at Illinois State University and its Illinois Shakespeare Festival, and after having much success in the Chicago theatre scene. With my sister’s nifty I-Pod recording doohickey firmly in hand, I sat down with Calvin this past Thursday, took a deep breath, squared my shoulders, and bravely asked him some take-no-prisoner questions.

Me, ace reporter: So what do you think of Knoxville so far?

Calvin MacLean, interviewee: It’s a pretty great city. About a week after we had moved in, my family and I got out of the house –I mean, it took us four or five days just to unpack boxes, get everything set up. My wife and I were pretty determined to get that done-- So after about four of five days of that, we decided to go and get in a car, and we drove forty minutes and all the sudden we found ourselves in the center of the Smoky Mountains. And that was pretty great. Particularly for this flatlander, to have mountains so close and yet to be living in the city was pretty unusual. Just before we moved, Rebecca was looking through –that’s my wife-- was looking through the paper and there was an article that Lyle Lovett, Nanci Griffith, and Bruce Cockburn, who I’m a big fan of, were playing here. I’m used to that in Chicago but not in Bloomington where I was living, so it occurred to me that Knoxville knows its music, too. So that was pretty exciting. The fact that it has a LORT theatre is pretty exciting and that fact that I’d be leading it was even more exciting. We discovered that there’s some sort of storefront theatre here and people who are interested in doing bizarre and unusual stuff. I think that’s great because that’s certainly what I’m from in Chicago, so that interested me. And it’s a real great place for my family. So we’re pretty impressed.

Me: Like you mentioned, the music scene here is bursting at the seams. The theatre scene though, is sometimes tremendously exciting and sometimes there’s not a whole lot going on. What do you see the Clarence Brown doing as far as engaging the theatre community here in Knoxville? What’s your vision for the theatre?

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Calvin MacLean: I knew you were going to ask that.

Me: I have to, I guess.

Calvin MacLean: Well, you know, there’s a lot already gong on. The most important thing to me is quality. The most important thing to me is making sure that the productions stand up, that the professional productions stand up. After that, it’s about community relationships. There are a bunch of different communities here. There’s the Knoxville and East Tennessee community, there’s a university community, there’s a student community. All of those groups have different tastes and want to see different stuff. One of the purposes of a LORT theatre is to provide a kind of home base, a kind of professional quality theatre in which a large audience has a place to go to see some first-class theatre. But what I really want to do is to be sure that there are some other niches. There are other theatres associated with the Clarence Brown-- there’s the Carousel and the Lab. And I want to develop those audiences as well, so that there are people [coming to shows] who might be interested in seeing something a little offbeat or unusual or experimental or student-centered. So we’re already trying to do that with plays like The Laramie Project and Assassins, and some experiments with Shakespeare, as well as kind of regional theatre fare, things that are important for a regional theatre to do. A Year with Frog and Toad is going around the country and is something very much for families, but we’re also doing Fences -- Fences is August Wilson-- and Clarence Brown’s never done an August Wilson.

Me, feeling kidded: Are you kidding?

Calvin MacLean: It’s pretty amazing, isn’t it? It’s about time that that gets done. But then you know, we’ve got our comedies and things that a wide audience might want to come and see. I have to spend a little time here learning of the audience, sort of figuring them out, what there tastes are, what turns them on, and what they’re kind of bored with. I hope to do that this year, and I hope that if that whole group, the whole diverse group of people feel that they’ve got a home here, some place that they’re welcome, some place that they can see a variety of things, and see it done well, my hope is that that will generate a lot more excitement.

Not realizing what a tidy closing statement MacLean had just given me, I pressed on.

Me: You mentioned trying to keep the productions at a very professional quality. Is that part of the reason behind moving undergraduates off the main stage and developing their projects in the Lab?

Calvin MacLean: The Lab and the Carousel, yeah. I think they need a home, a place where they can have productions they can claim as theirs, [not to only have] smaller roles in the productions that are professional. You know, there are good ways and there are not so good ways for professionals and students to mix. And one of the important things about an educational theatre, is that there’s a theatre where students get to show off, get to develop, get to have a place. Now you might think that that’s off-limits in the Clarence Brown, and that’s not necessarily true. We’re going to be figuring that out as well. Last year they did a big musical in which there were a lot of undergraduates. That could still happen. But there’s a mission here to provide professional, regional theatre and students will participate in that, but in ways in which they can really shine, not in which they can necessarily be compared as lesser than the professionals. At the same time, we have a responsibility to develop that talent and have people move sort of up the ladder as their skills increase and that’s one of the things about the graduate program and the undergraduate program that I hope we can do better.

Me:
I wish you had been around when I was still in school here, Cal.

Calvin McLean: Really? Are you a former undergraduate?

Me, suddenly off topic and rambling.

Calvin McLean, very very patient.

Me, ten minutes later, back to the point: What play are you looking forward to most this season?

Calvin McLean, diplomatically: Oh, well, I’m looking forward to them all. [laughs] I don’t think I have one that I’m looking forward to most. I’m looking forward to all of them in different ways. I think they will bring slightly different audiences, I think that they will be received in a way that I may partly predict, and may largely be surprised by. I’m going to learn a lot about the audience, and what Knoxville people want to see that’s different than Chicago people, or Bloomington people. I knew my audience pretty well in the Shakespeare festival, and I also knew it pretty well in Chicago, but, you know, you can never really predict what you do, you never know how’s it going to be received, you just largely make kind of a guess, and hope that the things that interest you and what you’re kind of passionate about are things that will interest other people.

Me, desperately hoping to utter clever, snappy, wrapping-up-the-article quip: Knoxville is a bizarre, bizarre city. Good luck in figuring out what the audience wants!

Not exactly the brilliant quip I was hoping for, but it would have to do.

You, blog reader, have to admit that Knoxville is bizarre. I’ve been here for seven years and I still can’t pick out a string of adjectives to put in front of this city’s name that would do Knoxville justice.

It’s been said that the magnetic powers of the Sunsphere can keep you from leaving this city. A friend of mine got only as far at St. Louis –she thought she was driving out to Denver for good-- before the draw of the Sunsphere made her turn her U-haul around and head back home. I personally think that it’s the weird, indefinable nature of Knoxville that sucks people in and keeps them here. It makes living here intriguing, and often surprising, and often frustrating. (And I think it’s that frustration that makes the arts scene in this town so damn good and alive.)

Here’s hoping Mr. MacLean doesn’t figure Knoxville out too quickly. It’d be nice to have him around for awhile.

September 01, 2006

Boomsday 2006!

Ooo, ooo, ooo...what a little corporate sponsorship can do!

This year, Boomsday--now known to the entire Western World as the 2006 Chysler Jeep Boomsday Festival--will carry on for 3 whole days. The live music events, NASCAR activites, kid's stuff, a football game and fireworks display are expected to draw more than 300,000 people to downtown Knoxville between 3pm on Friday and Sunday evening of Labor Day weekend. (I wonder how many mullets that will be?)

To help you make the most of your long weekend, the 520 Gang has listed the schedule of the official Boomsday event. We've also included links to some of our favorite writers' suggestions for alternate activities--in case the crowds are too much to bear. (Montgomery Gentry pun intended, of course!)

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Here we go...

SCHEDULE OF EVENTS

Friday, Sept. 1 - 3 p.m. - 10 p.m.
"Boomsday Bash" at the World's Fair Park. Enjoy a full day of activities plus the sounds of country music superstar duo Montgomery Gentry at 8 p.m.
Cost: $35 per person

Saturday, Sept. 2 - 10 a.m - 9 p.m.
"Shaggin' on Saturday" at World's Fair Park features a full day of activities plus performances by The Tams, The Drifers, The Coasters, Clifford Curry and Maurice Williams and the Zodiacs. Watch the Cal vs. UT game in the large "open-air" theater on the World's Fair Park Lawn.
Cost: $15 per person

Sunday, Sept. 3 - 4 p.m. - 10 p.m.
2006 Chrysler Jeep Boomsday Festival concludes with a full day of activities plus the nation's largest Labor day weekend fireworks show at 9:30 p.m.
Cost: FREE

TICKETS

Tickets are on sale now. Festival pins on sale starting July 31.

3-Day Festival Pin - $45
# Good for admission to concerts and festival Fri. & Sat
# VIP Viewing area on Sunday for fireworks show
# VIP Parking on Sunday for fireworks show
Purchase at area Goody's or Pilot Convenience Stores

3-Day Festival Pin - $40
# Good for admission to concerts and festival Fri. & Sat
# VIP Viewing area on Sunday for fireworks show
Purchase at area Goody's or Pilot Convenience Stores

Friday Tickets - $35
# Good for admission to Montgomery Gentry's concert and festival on Fri. only
Purchase at Tickets Unlimited outlets.

Saturday Tickets - $15
# Good for admission to concerts and festival on Sat. only
Purchase at Tickets Unlimited outlets.

For more info, click here.


ALTERNATE ACTIVITES


Big Head Todd and the Monsters are playing at The Shed over in Maryville. Read about the show at Steve Wildsmith's blog.

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Big Head Todd album cover

You can also find out about all the First Friday! activities in by clicking here. There are many exciting things happening this evening in Downtown Knoxville. Be sure to check some of 'em out.

Oh! By the way...if you didn't get the Montgomery Gentry joke, be sure to catch up before you head out to see the fool:

MetroPulse rips Gentry a new one--and rightly so.

CNN explains the debacle (nice choice of the Mickey Mouse shirt photo, CNN!).

First Friday!

Here's the lowdown on some hot First Friday activities for a cool September evening:

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First Friday! celebrations take place the first Friday of every month at various locations.
Please get out tonight and support these and other activites in Downtown Knoxville!

The 520 Gang

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